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Indian E-music – The right mix of Indian Vibes… » 2018 » March » 01

Get that signature jungle filter sweep with Mumdance’s Euro module

Delivered... Peter Kirn | Artists,Scene | Thu 1 Mar 2018 11:43 pm

Out with vinyl; now anyone who’s anyone releases on Eurorack? Regardless, the Akai S950-inspired module from Mumdance and ALM Busy Circuits sounds brilliant.

There does seem to be a new correlation between people pushing musical innovation and making their own hardware. And it’s no coincidence Mumdance, aka Jack Adams, would get into modules – the man is a certified Eurorack synthesizer nut.

Back in November, FACT were granted an in-depth look at the module and its inspiration and evolution, featuring both Mumdance and ALM’s Matthew Allum:

Mumdance and ALM Busy Circuits have made a Eurorack filter module that can “fucking scream”

Now, they’re back in the studio with Mumdance to have a look:

Unlike some muddled modules, this one is the model of simplicity: big cutoff knob, big resonance knob. From there, you have ample, complete control – dual audio ins, and the ability to control essentially everything via voltage, as you’d desire. Frequency, resonance, and the amplitude of incoming signals are all patchable. Also, standing apart from many modules, you get fine-grained attenuation of cutoff and resonance and a handy manual control for input level. (Sheesh, it’s almost like they think you may know what you’re doing or something.)

There’s also an internal control, as the video notes, that gives you the ability to fully close the filter – something the Akai couldn’t do. (That might be worth the adjustment, simply because now you’ve got CV control over cutoff and not only, like, your hand.)

This comes at a nice time, as Mumdance has made a fine name influencing every aspect of the scene around him in London. There’s his exceptional radio program, which has been on top of some of the best artists operating at the moment. There’s his ability to span genres, from grime to techno to hardcore (nicely embodied in this module, in fact). He’s made Roland presets for their relaunch. And there’s his label.

I point this out because, while it does require the luxury of time (gah!), these are things I think that can’t really be faked. Trying to fill all these different roles certainly isn’t advisable for every artist, but Mumdance does exemplify what’s possible in radical multitasking – when there’s a guiding sensibility.

I hope that this clears the way, meanwhile, for the weirdo modular builders outside of the music in-crowd to get some respect as musicians, too. It should be plainly obvious that the once-separate categories of musician and “modular builder freaks” are no longer distinct.

Keep an eye on Mumdance:


And label (with Logos – more on that Chevel release that’s coming end of the month soon, as it’s brilliant):


Equal credit to ALM Busy Circuits. They’ve stayed nicely focused – and this sort of filter just calls out for the modular treatment, as a color you might want to add to any particular place in your work.

The module:


More of that:


The post Get that signature jungle filter sweep with Mumdance’s Euro module appeared first on CDM Create Digital Music.

In a documentary film, a return to Detroit and speaker f***ing

Delivered... Peter Kirn | Scene | Thu 1 Mar 2018 8:23 pm

It’s still winter, but some crazy techno heads are dreaming of Detroit. Interdimensional Transmissions documents the soul of the midwest techno scene.

Maybe this film is just what techno needs at this moment. It tells the story of how dirty raves mixed with an obsession with hardware and design, imported from Europe. Or maybe it’s what Detroit needs – as despite its iconic status in the imaginations of electronic music lovers around the world, as well as its real place in history, the city’s parties are also relatively empty most of the year round, in a city that has seen its population dwindle as fortunes went elsewhere to America’s fractions of 1%.

Or maybe it’s just what you need, because – well, if you know the people in this, there’s a good chance you’ve already seen this. If you don’t know them, and you share this kind of manic passion for making parties with machines, then their story might be both new and inspiring.

Anyway, it certainly won me over with this opening:

This is our generation returning to the source,
felling a freedom and a heat within the music that results in speaker fucking.

Then they get talking chakras and lighting colors. (And you thought that kind of talk only happened on the West Coast. Shout out to Amber Gillen!)

And you get the likes of BMG and Erika and Derek Plasaiko and Patrick Russell and Carlos Souffront and Mike Servito, some of our favorite artists, chatting as you’d be chatting to them for … let’s be honest, for weirdos like us, probably longer than 20 minutes if given the chance.

“Insane heads from all over the world” sounds a good template for any event.

We’ve had a whole lot of slick documentaries of scenes, but it’s rare to just get people nicely rambling about the story of their party, in something they produced themselves. And with so much DIY around, I think you really need some inspiration and perspective from people who have made things work.

If the story of the music scene is increasingly told by big brands and big press outlets – even if those can make some beautiful productions – you might lose some of the details of how that works. And that’d be a tragedy, because a generation of producers might think the aim is to break into a scene, rather than create a scene around themselves.

Do that, and ecosystems of any music die – whatever the form or genre of music makes you want to make sweet love to the music.

So thanks to Interdimension Transmissions. Love what you’re doing – and more like this, please.

To bring the experience to your headphones, look no further than this Bunker Podcast from Erika:

This late night set from @Erikadotnet was recorded live at The Bunker on November 4, 2017 during the Brooklyn edition of No Way Back’s 10 Year Anniversary.

And… uh, obligatory. Because if there’s one thing electronic music shouldn’t do at this point, it’s trying to go backwards…

No Way Back come to Tresor maddeningly the night before I play there… uh, guess we all just have to work on our endurance. And Erika has a new live set coming to Finland.

And if you want the full experience, head to Detroit for their 10th anniversary party:

313: Return to the Source

Cover photo: Amy Hubbarth Photography / Interdimensional Transmissions.

The post In a documentary film, a return to Detroit and speaker f***ing appeared first on CDM Create Digital Music.

Elvis Presley’s power, Tina Turner’s legs: musicians pick their biggest influences

Delivered... Interviews by Rachel Aroesti | Scene | Thu 1 Mar 2018 7:18 pm

Sade taught Jessie Ware quiet confidence, while Sly Stone helped Baxter Dury ‘make the unlikely into something rational’: some of our contemporary favourites salute the stars who had the most impact on them

● Guardian writers on the most influential artists in music today

My greatest influence probably isn’t very evident in my music. Sly and the Family Stone, or more Sly, captured my imagination from the moment it was forced out of a giant pair of Tannoy speakers placed in our front living room. He was a handsome opportunist hippy who manipulated the times, but definitely changed the course of them. The music is soulful, subversive and sleazy, but beautifully arranged and played. It’s a theme park of unrelated ideas made logical by Sly’s magnificence. I learned so much about making the unlikely into something rational.

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