Warning: mysql_get_server_info(): Access denied for user 'indiamee'@'localhost' (using password: NO) in /home/indiamee/public_html/e-music/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872

Warning: mysql_get_server_info(): A link to the server could not be established in /home/indiamee/public_html/e-music/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872
Indian E-music – The right mix of Indian Vibes… » 2018 » May » 02


FCC Approves 100% Mexican Ownership of Radio Stations in California and Arizona – Further Showing Foreign Ownership Limitations Less Significant in Today’s Broadcast World

Delivered... David Oxenford | Scene | Wed 2 May 2018 5:24 pm

The FCC yesterday issued a Declaratory Ruling approving the acquisition by a company owned by two Mexican citizens of 100% of the ownership interest of a company that owns two radio stations in California and Arizona. Currently, the company owned by the Mexican citizens had only a 25% interest in the parent company of the licensee which, until a few years ago, would have been the limit imposed on foreign ownership of a US broadcast station. But, several years ago, as we wrote here, the FCC decided to permit, on a case by case basis, greater foreign ownership of US broadcast station owners. The FCC has also issued guidance on how public US companies can track their foreign ownership. See our articles here and here. Through yesterday’s decision approving the 100% ownership of the radio company, together with a case last year approving 100% ownership of broadcast stations in Alaska and Texas by Australian citizens (see our summary here), the Commission has demonstrated that it is serious about, in the right circumstances, approving foreign ownership of US broadcast stations.

Foreign ownership does not come without limits, however. Any foreign owner seeking to acquire a substantial stake in a US broadcast station must be reviewed by various Executive Branch agencies to insure that there are no perceived security risks raised by the proposed acquisition. The FCC has to do its own review as well. And, once approved, the foreign owner must report on any changes in its ownership so that new interest holders can go through the same approval process. Nevertheless, this series of decisions make clear that the FCC is open to non-US investors acquiring broadcast properties. It may take longer to sell a station than when a property is acquired by a US buyer, and certain foreign buyers may not be allowed if security issues come up, but otherwise the market is open to many new buyers of broadcast stations.

The $199 UNO is an analog synth from IK and some great minds

Delivered... Peter Kirn | Scene | Wed 2 May 2018 12:49 pm

It’s portable, battery-powered, and a capable analog monosynth with a sequencer, at a low price. But it’s also worth noting IK Multimedia’s new US$199 UNO involves collaboration with some unique people.

Before the modular craze, before KORG’s volcas, before even the Minimoog Voyager, it was the Alesis Andromeda in 2000 that arguably signaled a return to analog circuitry and hands-on control for the electronic musician consumer. And that instrument was the work of synth designer Erik Norlander, who’s now the resident “synth guru” at IK Multimedia, and who IK says is the brain behind the UNO. IK have also collaborated with Italian boutique maker Soundmachines, who themselves have a bunch of wacky and wonderful ideas.

So put all of this together, and the UNO is something new – a familiar architecture, but not a clone of something you’ve heard before. It’s also an inexpensive instrument that involves collaboration with boutique makers (as Roland have done with Malekko and Studio Electronics) – rather than just undercutting those makers at low prices. And it’s made in Italy, proving that Europe can still make this sort of product.

Plus, it looks like a really fun bass synth with a built-in sequencer. Specs:

  • Analog audio path with two analog oscillators, noise generator, resonant multimode filter and analog amplitude
  • Saw, triangle, and pulse waveforms (with continuously variable shape and pulse width modulation), separate white noise generator
  • That filter isn’t the Moog ladder filter – it’s a smoother, Roland-style OTA filter, which you know from instruments like the Jupiter-8
  • Filter can be set to lowpass, highpass, bandpass, and has overdrive
  • 7 separate waveforms for modulation: sine, triangle, square, up and down saws, random, and sample and hold
  • Built-in delay
  • Instant modulation effects: Dive, Scoop, Vibrato, Wah and Tremolo

For arpeggiator/sequencing:

  • 100 presets, 80 user presets, each with an associated sequence and arpeggio (I think you can then store your own presets and patterns, making this ideal for live performance)
  • Arpeggiator with ten modes
  • 100-pattern sequencer, which you can program in real-time or step-by-step
  • Parameter locks! Set per-step modulation

And finally, I/O:

  • MIDI in/out
  • USB MIDI
  • Runs on 4 AAs or USB power

There’s also a Mac/PC software editor. (Helps to be a software company, too, as IK is.)

Sounds (though I do believe you need to go beyond just manufacturer demos):

Now, there are some questions I definitely want to answer when I get this hands-on. Analog synths with battery power — well, let’s hear if it’s noisy or not.

Multi-touch keyboard — that’s touch-based, so while they promise two octaves of sound, I want to see how precise it feels. Ditto those touch controls. You also get some pre-defined scales, which should help you … like, hit actual notes.

But this architecture looks great. That extensive modulation is already promising, and then the ability to set per-step modulation with the sequencer looks powerful, indeed. And it’s just 400 grams (under a pound).

US$/€199.99; shipping scheduled for July 2018.

http://www.ikmultimedia.com/products/unosynth/

The post The $199 UNO is an analog synth from IK and some great minds appeared first on CDM Create Digital Music.

TunePlus Wordpress Theme