Warning: mysql_get_server_info(): Access denied for user 'indiamee'@'localhost' (using password: NO) in /home/indiamee/public_html/e-music/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872

Warning: mysql_get_server_info(): A link to the server could not be established in /home/indiamee/public_html/e-music/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872
Indian E-music – The right mix of Indian Vibes… » 2018 » June » 20


Relive Legowelt’s radio show, Astro Unicorn Radio

Delivered... Peter Kirn | Scene | Wed 20 Jun 2018 6:37 pm

For a few glorious years, Legowelt had a radio show, Thursday evenings on Intergalactic FM internet radio. But while the show is gone, the sounds live on.

Why am I bringing this up now? Well … I owe that notion to Xeni Jardin of Boing Boing, back in the heyday of the blog from whence this site came. Any extended period of, say, reading legal filings surely deserves a unicorn chaser.

And Legowelt comes to our rescue.

The show ran from 2007-2011, and was as eclectic and glorious as you’d expect from Legowelt. Brazilian Moog Cruisin’? Nigerian boogie disco? Check. Or, for instance:

Another radio reportage, this time from the cold snowy Rotterdam were we investigate Mono-Poly’s & Dr.Albert Putnam’s research in Biorhythms using modular synthesizers such as the Fenix and Buchla.

It’s a perfect template of what nerdy music things should be.

There’s a full archive of the tail end of the show in MP3 form, which you can grab as long as it lasts.

http://www.moosleybay.com/astro.htm

Episodes are on Mixcloud, too, from the source – from the beginning:

You’re welcome.

And thanks, Legowelt.

The post Relive Legowelt’s radio show, Astro Unicorn Radio appeared first on CDM Create Digital Music.

Behringer responds to reports, defends reverse engineering

Delivered... Peter Kirn | Scene | Wed 20 Jun 2018 6:04 pm

MUSIC TRIBE and Behringer responded early today to CDM’s request for comment, following revelations that company had targeted a Chinese website and Dave Smith Instruments with threatened or real legal action over criticism of the company’s business practices.

Uli Behringer, company CEO and founder of holding company MUSIC TRIBE, shared the following, which I’ve included in its entirety. (He also shared the same message to their Facebook group.)

In the message, Behringer doubles down on the claim that comments posted by a Dave Smith Instruments employee to the Gearslutz forum, as well as by Chinese news site Midifan, are false and constitute illegal defamation. He also defends the practice of what he describes as “reverse engineering” in their product development process.

Here’s their side of the story, as represented to us:

Hi Peter,

Thank you for reaching out and giving us an opportunity to respond in detail which we appreciate.

This is actually a first in our history with CDM and we welcome the change. As usual there are always two sides to any story and in the spirit of transparency and fairness we believe both sides should be heard. Since much revolves around “Defamation,” please find a quick Wiki link.

https://en.wikipedia.org/wiki/Defamation

Chinese Media Case
Allow me to first comment on the previous story related to the Chinese Media case. While you had claimed to have reached out to us for comments, there is no such record in any of our systems. You only contacted me and Michael Lapke last weekend after the news was already a week old.

Let me start by saying that we don’t have any problem with people criticizing us. In fact we appreciate constructive criticism as that’s the only way to learn. What we have a problem with is when our employees are being called highly offensive and insulting names by media outlets. Unfortunately your article did not properly reflect the full content and background of the language used, which in the Chinese culture has a highly different sensitivity and legality.

This was not only raised by our Chinese colleagues but also customers of this media site who felt compelled to contact us. Also publishing pictures of a cancer-fighting colleague in a hospital bed has caused deep concerns among our people.

We sent the owner of the publishing site a Cease-and-Desist letter, but he was never sued as wrongly reported. We have since spoken with the publisher and they have promised to remove the offensive language and refrain from posting such slur in the future. We consider this case to be resolved and he also has standing invitation to visit us.

Since our employee welfare and integrity has been severely questioned by this Chinese magazine and whose accusations have later been repeated by CDM and other publishers without fact checking, I like to post a link to a local job portal that may give you a different impression. We also invited you Peter (and everyone else) to visit us, both in Manchester and Zhongshan.

We are very proud that we have been ranked Zhongshan’s No. 1 employer by the leading and independent job site (http://www.jobui.com/company/35895/)

Our factory MUSIC Tribe City is ranked:

· No 1 most popular electronics company
· No 1 most popular recruiting company
· No 1 most employee caring company

I am very proud of our local leaders who go out of their way to make a difference for our employees. If you like to learn more about our MUSIC Tribe City here is a video.

DSI Case

Some time ago an employee of DSI had posted incorrect and slanderous statements about our company on multiple forums. We put both the employee as well as DSI on notice and received a signed Cease-and-Desist letter from the employee where he assured us that he would refrain from such future comments. I have attached a copy of the undertaking of the employee to stop making such comments. In the reply of DSI, the company stated that it has instructed all employees to stop making any false or derogatory statements against us.

It is important to understand that this is not a legal action against a mere individual but a representative of a competitor. Any such false and disparaging comments made by DSI’s employee, are damaging and inappropriate in a highly competitive market such as ours. Unfortunately and despite the signed declaration, the individual working for DSI chose to continue to make such claims and hence we were forced to take legal action. If the employee had stopped his actions as agreed, the case would have never been field. While I am not a lawyer, I can only assume that including 20 “John Does” is part of a standard legal procedure to include other potential individuals related to the company. For clarity purposes, this case has nothing to with any particular forum or individuals other than those related to DSI.

Misconception around IP

Allow me to post an article about IP (Intellectual Property) as this is an important one to us. Especially because we have been accused of not honoring the IP of other manufacturers. I have heard and read over the years many accounts of lawsuits, judgments and sanctions against our company that are frankly based in fiction and not fact.

Technology is free for anyone to use unless it is protected

This is the fundamental principle of every industry and how we as a society progress and evolve. Imagine there was only one car or guitar manufacturer. I welcome this opportunity to set the record straight not only on past cases but to also clarify our view on IP and what constitutes fair competition as well.

About 30 years ago, as a small garage operation, we became involved in a patent dispute with Aphex over a processor we were building. At that time there were several companies who produced those exciters, such Akai, SPL, D&R, etc. Our patent attorney advised us that the Aphex patent was invalid and I also applied for my own patent (DE3904425), with sponsorship from the acclaimed Fraunhofer Institute, the inventors of MP3. Despite assurances and our own beliefs, we ended up in court where the judge ruled in Aphex’s favor and we lost the case. We paid damages and moved on.

This case illustrates very clearly what I came to understand over the ensuing nearly 30 years about patents and IP. Disputes over intellectual property are commonplace in many industries and especially so in the technology industry. IP is a grey area, as it deals with patents, trade dress, copyrights, designs etc. where not much is black and white.

Just look at cases with Roland versus InMusic, Gibson versus PRS, Peavey versus QSC, Microsoft, Blackberry, Yahoo, Google, Samsung, Apple etc. Lawsuits are often used as “guerilla tactics” and especially common in the US where legal fees are sky high and each party has to pay its own fees regardless of the outcome of the case. This, along with the fact that IP litigation is often used as a tool to push a competitor out of business, are reasons why there are so many cases in this area of law.

Misconceptions around IP

One needs to be clear about the distinction between blatantly copying someone else’s product and the principle of reverse engineering. Copying a product 1:1 is clearly illegal, however reverse engineering is something that takes place every day and is accepted as part of a product development process known as benchmarking.

Often one company will establish a new market opportunity for a unique product and others will follow with their versions of that pioneering product. Think iPhone followed by Samsung Galaxy. This is the principle of competition.

The Article from Berkeley Law School gives a great read and provides valuable background information. A quick excerpt demonstrates why public opinion often differs from the law.

“Reverse engineering has a long history as an accepted practice. Lawyers and economists have endorsed reverse engineering as an appropriate way for firms to obtain information about another firm’s product, even if the intended result is to make a directly competing product that will draw away customers from the maker of the first product.”

One of the cases that endures in people’s memories is when we were sued by Mackie over alleged infringement of their IP. After a series of very costly and bitter court cases which we all won, Mackie reached out to us for a settlement which did not involve any money. It was proven in court that we had not copied their schematics or PCB layouts, nor had we infringed on any patents as there were none. Nor had there ever been any legal cases brought by BBE, dbx or Drawmer as claimed by Mackie as part of their marketing campaign against us and which was later erroneously reported by Wikipedia and even CDM.

In our first two decades, most of our products were designed to follow market leaders with similar features and appearance, at a lower cost. This value proposition upset many of our competitors while at the same time earning us a huge fan base among customers. I fully understand that many of those competitors would be frustrated by our ability to deliver equivalent or better products at significantly lower prices and that is the source of much of the anger directed at us by them.

Since the Aphex case we have been sued several times and we equally had to sue competitors over infringement of our IP. This happens in every industry and is part of a fierce and competitive landscape.

However, to be clear, we have not lost any substantial IP case since the Aphex case 30 years ago and legal cases are a matter of public record.

We are committed to never engage in any activity that willfully infringes on the intellectual property rights of any company or individual. However, we are also aware that legal wrangling will continue as we press on with our philosophy of delivering the best products at the lowest possible cost.

We welcome criticism

I am a big believer in free speech and welcome any form of constructive criticism, as this is the only way for us to learn and improve. We also don’t mind any comments made or language used by individuals as this is a matter of personal choice.

It becomes sensitive when incorrect or defamatory statements are made by competitors and the media. While there is free speech, words do have consequences and since we are all bound by the law, the rules should be applied equally to everyone.
Once again, I understand that people have their opinions and preferences and I fully respect that. I also understand that some people don’t like me or our company, and chose not to buy our products which I respect, too.

Since we started our company 30 years ago, we have always carefully listened to our customers and built what they wanted us to build. Sometimes people would request us to improve an existing product in the market, sometimes they would come up with a complete new idea. In fact many of the ideas for our most successful products have actually come from our customers and for that we are immensely grateful.

However, we are also aware that legal wrangling will continue as we press on with our philosophy of delivering the best products at the lowest possible cost.

This is the philosophy I started the company on 30 years ago, and this is the philosophy that will carry us into the future.

Thanks for listening.

Uli

Pictured: a mock-up of Music Tribe City.

The post Behringer responds to reports, defends reverse engineering appeared first on CDM Create Digital Music.

Vladimir Ivkovic Selects His Favorite ’90s Trance Tracks That Sound Better Slow

Delivered... By Vladimir Ivkovic | Scene | Wed 20 Jun 2018 1:54 pm

The post Vladimir Ivkovic Selects His Favorite ’90s Trance Tracks That Sound Better Slow appeared first on Telekom Electronic Beats.

69 Radio Stations Receive FCC EEO Audit Letter

Delivered... David Oxenford | Scene | Wed 20 Jun 2018 1:40 pm

The FCC this week announced its next EEO audit – one limited to only 69 radio stations. No television stations or cable systems were included in the audit notice. The Notice is available here, and list of stations involved is here. Responses to the audit are due August 6. Unlike the last audit (about which we wrote here), the responses will be sent to the FCC’s EEO division, not posted solely on the station’s online public file. Stations, of course, still have the obligation to post their response on the online public file, but they also have to submit the audit to the FCC.

If any station in your cluster is on the list of audited stations, all stations in that “station employment unit” (a group of commonly owned stations serving the same area with at least one common employee) must respond. If that cluster has 5 or more full-time employees, it must observe the FCC’s EEO requirements and respond to this audit, providing significant information about its hiring in the last two years.  Stations with fewer than 5 employees need provide only limited information about the positions of its employees and whether the station has been subject to any federal or state EEO complaints or legal actions. If a station that is being audited is involved in an LMA or time brokerage agreement with another broadcaster, the audit may require that the broker provide employment information as well as the licensee.  There are some exceptions where stations can be excused from the audit if they were recently renewed or audited.

Be sure to take care in responding to the EEO audit as the FCC will be reviewing it carefully, and issues with the audit can lead to fines.  Even though the FCC has allowed online recruiting to be the sole method in which a station recruits new employees (see our article here), if a station does not keep the required paperwork and submit it in response to the audit, the station can still be fined by the FCC (see the article here about recent EEO fines).  So check the audit list twice to see if your station is on it, and if it is, take time and answer carefully.

Best albums of 2018 so far

Delivered... Ben Beaumont-Thomas | Scene | Wed 20 Jun 2018 7:00 am

Lily Allen dished on her divorce, Arctic Monkeys found their inner crooners, Cardi B earned her stripes, Pusha T teamed up with Kanye West and the Vaccines made an unexpected classic

As amusingly unfiltered as ever, Allen embraces the sunny disposition of Afro bashment and British rap, and pairs it with delicate, bruised and often dolorous songs about her divorce – an affecting combination.

Continue reading...

Sehnsucht nach der Einsamkeit

Delivered... Kommando Himmelfahrt | Scene | Wed 20 Jun 2018 6:00 am

Im Zeitalter der universellen Verfügbarkeit sind einzelne Menschen obsolet geworden. Dafür jedoch, sagt das Hamburger Künstlerkollektiv Kommando Himmelfahrt, sind sie weniger einsam, oder nicht? Aus dem Norient Buch Seismographic Sounds (hier bestellbar).

«Ich denke oft darüber nach, wie sich das Leben auf der Erde in einer endlosen Folge von Zufall und Notwendigkeit entwickelt hat. Ein blutiges Würfelspiel hat die Erde geformt und formt sie noch. ‹Trial and error› ist seine einzige Regel. Milliarden sind bereits in diesem Spiel um Nahrung und Fortpflanzung gestorben; andere haben gewonnen und die Welt mit ihren schludrigen Kopien bevölkert. Vielleicht schwand Toms Interesse für unsere alte, verkeimte Erde genau aus diesem Grund. Denn der Mars ist ein anderer Planet mit anderen Spielregeln. Dort gibt es keinen Kampf um rare Güter. Dort gibt es weder Reproduktion noch Fortpflanzung. Dort gibt es nur die immer gleichen Weiten der Wüsten. Den niemals ruhenden, sandigen Wind.» (Aus dem Musiktheater Die Speisung der 5000)

Utopie der Verfügbarkeit

Der bereits von Walter Benjamin analysierte Verlust von der Aura des Originals betrifft inzwischen fast alle Lebensbereiche. Das Einzelne wie auch der Mensch selbst ist gleichgültig, zufällig, altertümlich geworden. In unserem Musiktheater Die Speisung der 5000 feiern wir die Utopie der universellen Verfügbarkeit und trauern zugleich der Einsamkeit, der Originalität nach. In letzter Konsequenz flieht der Erfinder und Heiland Tom auf den Mars, um in dieser unwirklichen Landschaft eine Platte zu produzieren, die barockfuturistische Vertonung des biblischen Vervielfältigungswunders. Wir haben Toms Musikstück mit Chor, Orchester und dem Sänger Jan Plewka jeden Abend neu aufgenommen, live gemastert und jeweils im Finale der Aufführung auf SoundCloud hochgeladen. Für diese Veröffentlichung entstand auch das Foto von Tom in der Marswüste. Der fragile Akt des Musizierens und Singens, der die Einsamkeit und Verlorenheit des Individuums beschreibt, wurde dabei zugleich zu einem Gemeinschaft stiftenden Ereignis. Die Bereitstellung im Internet müsste nach Benjamin diesem Ereignis jedoch die Aura entziehen. Wir Menschen haben uns das vormals göttliche Vervielfältigungswunder zu eigen gemacht. Ob es uns sättigen wird?

Dieser Text wurde erstmals publiziert im zweiten Norient Buch «Seismographic Sounds». Klicke auf das Bild, um mehr zu erfahren.

Mehr zum Thema im Netz

> Robert Matthies: «Die Suche nach der Triebfeder»

Mehr zum Thema auf Norient

> Holger Lund: «Einsamkeiten und Verfall»
> Angie Balata: «Escaping Loneliness Online»
> Portia Seddon: «MP3 Blogging and the Urban Soundscape»

TunePlus Wordpress Theme