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Indian E-music – The right mix of Indian Vibes… » 2018 » November » 08


NEW FIREFLY MUSIC FESTIVAL 2019 DATES ARE OUT!

Delivered... Spacelab - Independent Music and Media | Scene | Thu 8 Nov 2018 10:30 pm
The festival will move from four days to three days but have oh so much more intensity packed in.

Eerie, amazing sounds from tape loops, patches – like whales in space

Delivered... Peter Kirn | Scene | Thu 8 Nov 2018 5:41 pm

Fahmi Mursyid from Indonesia has been creating oceans of wondrously sculpted sounds on netlabels for the past years. Be sure to watch these magical constructions on nothing but Walkman tape loops with effects pedals and VCV Rack patches – immense sonic drones from minimal materials.

Fahmi hails from Bandung, in West Java, Indonesia. While places like Yogyakarta have hogged the attention traditionally (back even to pre-colonial gamelan kingdom heydeys), it seems like Bandung has quietly become a haven for experimentalists.

He also makes gorgeous artworks and photography, which I’ve added here to visualize his work further. Via:

http://ideologikal.weebly.com/

This dude and his friends are absurdly prolific. But you can be ambitious and snap up the whole discography for about twelve bucks on Bandcamp. It’s all quality stuff, so you could load it up on a USB key and have music when you’re away from the Internet ranging from glitchy edges to gorgeous ambient chill.

Watching the YouTube videos gives you a feeling for the materiality of what you’re hearing – a kind of visual kinetic pcture to go with the sound sculpture. Here are some favorites of mine:

Via Bandcamp, he’s just shared this modded Walkman looping away. DSP, plug-in makers: here’s some serious nonlinearity to inspire you. Trippy, whalesong-in-wormhole stuff:

The quote added to YouTube from Steve Reich fits:

“the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound-to-sound) details and the overall form simultaneously. (Think of a round or infinite canon.)”

He’s been gradually building a technique around tapes.

But there’s an analog to this kind of process, working physically, and working virtually with unexpected, partially unstable modular creations. Working with the free and open source software modular platform VCV Rack, he’s created some wild ambient constructions:

Or the two together:

Eno and Reich pepper the cultural references, but there are aesthetic cues from Indonesia, too, I think (and no reason not to tear down those colonial divisions between the two spheres). Here’s a reinterpretation of Balinese culture of the 1940s, which gives you some texture of that background and also his own aesthetic slant on the music of his native country:

Check out the releases, too. These can get angular and percussive:

— or become expansive soundscapes, as here in collaboration with Sofia Gozali:

— or become deep, physical journeys, as with Jazlyn Melody (really love this one):

Here’s a wonderful live performance:

I got hooked on Fahmi’s music before, and … honestly, far from playing favorites, I find I keep accidentally running over it through aliases and different links and enjoying it over and over again. (While I was just in Indonesia for Nusasonic, it wasn’t the trip that made me discover the music – it was the work of musicians like Fahmi that were the reason we all found ourselves on the other side of the world in the first place, to be more accurate. They discovered new sounds, and us.) So previously:

The vaporwave Windows 98 startup sound remix no one asked for

http://ideologikal.weebly.com/

https://ideologikal.bandcamp.com/

The post Eerie, amazing sounds from tape loops, patches – like whales in space appeared first on CDM Create Digital Music.

Ableton Live Looping gets its own custom controller

Delivered... Peter Kirn | Scene | Thu 8 Nov 2018 12:45 am

A crowd-funded custom controller has just arrived on the scene, designed to assist live triggering and looping in Ableton Live. And there’s already a free download for Max for Live to get you started, even without the hardware.

Hardware like Ableton’s Push lets you play Live with your fingers – but what about your feet? (Ableton Sole?) And what about looping? Pierre-Antoine Grison, Ableton Certified Trainer and producer/musician signed to Ed Banger Records, has come up with his own solution – just in time to show it this weekend at Ableton’s aptly-titled Loop “summit for music makers.” “State Of The Loop” is a custom MIDI controller for Ableton Live’s built-in Looper device.

The Looper in Ableton Live has been around for a few versions, after loads of requests from users. It delivered the kind of looping workflows you’d expect form a looping pedal. But that doesn’t mean everyone knows how to use it, or use it effectively. There are some nice resources online, including:

Ableton Looper Cheat Sheet (Free Download) [Beat Lab Academy]

Ableton Live Devices – How To Use Live Looper [Loopmasters.com articles]

and a ton of tips here:
http://looping.me.uk/category/ableton/

The stomp-style hardware controls not only the Looper device itself but also scenes. So it works for both controlling entire sets and for pedal-style looping, and you can use multiple (software) loopers so you can layer using different on-screen devices.

Features:

Display and control the state of Live’s Looper
Unlimited number of loopers !
2 Expression Pedal inputs with “dynamic mapping”
Scenes Mode to launch Scenes and display their color and name
Sturdy metal case
100% Made in France
USB or MIDI connection for longer distances (up to 15m/50ft)
USB powered
Very light on the CPU
Easy configuration
Weight : 1.7 kg / 3 lb
WxLxH : 30 x 13 x 6 cm / 12 x 5 x 2.5 inches

There’s even a free download that adds some features Ableton Live forgot – the equivalent of follow actions for scenes, plus a heads-up display so you can see what’s happening without hunching over your computer screen. (Seriously, Ableton, those belong as standard features in Live!)

You can use that download as long as you have a compatible version of Live and Max for Live; no hardware needed.

http://kblivesolutions.com/wp-content/uploads/2018/11/Scene-Launcher.zip

Dig this custom version too:

Pricing starts at 240EUR for an “early bird” price, 260EUR after that. (There’s also a 350EUR limited edition still available as I write this).

Project info on Kickstarter:

http://kck.st/2SH5gJE

The post Ableton Live Looping gets its own custom controller appeared first on CDM Create Digital Music.

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