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Indian E-music – The right mix of Indian Vibes… » 2019 » March » 18


Years of MySpace music deleted; Internet weeps

Delivered... Peter Kirn | Scene | Mon 18 Mar 2019 9:53 pm

It’s not so much that anyone expected MySpace to be alive at this point, let alone a safe place for music uploads. The demise of years of MySpace music is more like a sad reminder of the direction of the Internet.

First, there’s actually a few events in the timeline of how so much music disappeared from the service in the first place.

Remember that about ten years ago it had only just been surpassed by Facebook. Since then, relative traffic, revenue, and headcount have plunged dramatically. The 2016 acquisition by Time Inc. was of a far weaker company, but even then ad revenue was seen as its value. Part of what Apple, Spotify, Facebook, and Google-owned YouTube have done, arguably, is weaken the overall market for ad revenue and premium services in music. That’s why it’s still worth watching SoundCloud’s creator-driven strategy, in contrast to the rest of the industry.

In the midst of the business meltdown, the circumstances of MySpace’s “loss” of years of much are highly suspicious.

Users on reddit have been the ones to chronicle what was going on at each step. Keep in mind, here they’re referring to their own user-uploaded content.

About one year ago, reddit users reported being unable to access a lot of previously available music, and got this cryptic response from MySpace:

There is an issue with all songs/videos uploaded over 3 years ago. We are aware of the issue and I have been informed the issue will be fixed, however, there is no exact time frame for when this will be completed. Until this is resolved the option to download is not available. I apologize for the inconvenience this may be causing.

Also from March of last year:

We’re in the process of doing a huge maintenance project for videos and songs. Due to this maintenance, you may notice some issues playing songs or videos. During this process, there may be possible downtime. We are actively working to ensure there is little to no issues with your listening experience. Please bear with us.

You may also notice missing artwork during this transition. We’re diligently working to get this resolved asap.

Please also note, all FLV videos can no longer be played due to an update to the player. We updated our player to HTML5. Unfortunately, we do not offer a way to play or download these videos.

Eight months ago, the player displayed this notice:

As a result of a server migration project, any photos, videos, and audio files you uploaded more than three years ago may no longer be available on or from Myspace. We apologize for the inconvenience and suggest that you retain your back up copies. If you would like more information, please contact our Data Protection Officer, Dr. Jana Jentzsch at DPO@myspace.com.

The timeline of news around the issue this week is actually incorrect, because it appears that all of this happened about a year ago. Seven months ago was when one redditer got a notice from the company saying files had been deleted. Yet only this week it seems mainstream sites (including this one, erm, okay mainstream sites plus this one) took notice.

You’ll notice what happened there. Files disappeared without notice, then messages suggested that they might be somehow part of a migration, then suddenly they were “corrupted.”

By the way, Dr. Jentzsch apparently a third-party legal counsel in Germany, not MySpace management.

This paints a clear picture. It’s highly unlikely that this was an engineering error so much as the company poorly managing messaging about dropping old content entirely. That was the theory put forward on Twitter by Andy Vaio, veteran of Kickstarter, waxy, upcoming.org, and others:

Uh, yeah:

In fact, the language used (“corrupted,” “server migration”) also appears not to be written by an engineer – in that an engineer would be more specific.

BBC and I are at least seven or eight months, maybe one year late on this, but yes, it’s on BBC:

MySpace admits losing 12 years’ worth of music uploads

But, okay, this part is obvious.

Equally obvious: you shouldn’t count on services to be the only copy of your stuff. These services generally have no obligation to keep things accessible.

Also equally obvious: a lot of us know that and do it anyway.

Obvious follow-up: we should go right now to places with our music, download it, and put it multiple places that are safe – both physically and online.

No, like right now.

And we should be particularly mistrusting of big services this month, in which both Gmail and Facebook suffered major, multi=hours outages for which their enormously wealth corporate owners provided absolutely no explanation.

There’s a broader issue, though, beyond our own stuff. We need to begin to properly archive online content, and imagine how it will be more widely available – what we assumed the Internet would do in the first place. And there, folks like Jason Scott of the Internet Archive have been working on just that.

Charmingly, he’s even archiving skins for Winamp:

But I think we need a complete reboot of what we’re doing with the Internet for music. I’ll be writing about that in coming weeks and trying to get your input (readers) and the input of other people involved in projects from the past, present, and future.

The situation right now is bleak – and the fact that people really were still looking to MySpace for their music demonstrates how bleak. Music uploaded to the “old Internet” may quickly be lost forever. Music now disappears into a black box of distribution services. Some of those distributors will actually remove music from streaming and download sites if the creators or publishers don’t pay up on a regular basis. And once on these sites, many artists will never see any amount of real, measurable income – whatever Spotify and Apple may be quarreling about currently.

In fact, I’d go as far as arguing that the focus on whether music makers get paid for their work ignores the fact that a lot of music makers feel they aren’t heard at all.

Which brings us back to MySpace. The early days of the Internet were full of music – even illegal music. It was the age of the netlabel. And then MySpace was the dominant social network from 2004 to 2010 – meaning that social media was dominated by music.

Obviously, that’s not the case now. Now we have “influencers” and selfies and literally Neo-Nazis and hate speech and fake news and almost everything but music.

If people are suddenly lamenting the loss of years-old data on MySpace, it could be because music online hasn’t grown as we hoped it would.

There’s still time to change that. We’re not getting any younger – and neither is the Web. So that time is now.

The post Years of MySpace music deleted; Internet weeps appeared first on CDM Create Digital Music.

Here are some of the weirdest musical instrument ideas from NAMM

Delivered... Peter Kirn | Scene | Mon 18 Mar 2019 5:16 pm

Trade shows can be a strenuous onslaught of noise, cost, and crowds – but then it’s often the weirdest stuff that makes it worth it. And no one finds strange quite like Barry Wood and his annual NAMM Oddities.

Barry impressively tracks every kind of freakish appearance at the enormous US music instruments show, and it’s worth digging through his whole NAMM Oddities guide category by category ($1.2 million-dollar guitar straps and all). I’ve taken the liberty of picking some of my favorites from this year’s haul. Some of it is genuinely useful and cool – some will just make you shake your head and mumble, say wha?

One Synclavier knob. Built-to-order, $399 – half of which you owe as a deposit. This is evidently for people who are esoteric rich people, but with a fraction of the money of really rich crazy people. They … I don’t want to use the word “explain” as that would imply I understand who this is for, but they describe how this four hundred dollar knob is historically accurate:

The weight and feel of the knob are identical, as we have used the exact measurements and a balanced spring arrangement. The two-inch diameter knob is milled from a solid bar of instrument-grade aluminium (yes, we were doing this long before Apple). The interface software and hysteresis algorithm are taken from Synclavier II.

Full hammer action, in any quantity of keys. This is actually a great idea – Piano de Voyage is a hammer action keyboard broken into modules. Want just 2 octaves? Get just one module. (I always wondered why people want a full 88 keys in electronic contexts, actually.) Or if you do want as many as 8 octaves, you can break down the modules so they fit in a bag – unlike a usual full keyboard. No word on pricing or availability, but there’s a sign-up. https://pianodevoyage.com/

https://www.synclavier.com/product/synclavier-knob/

A food pedal that looks like it was prototyped in Play-Doh. Effigy Labs Control pedal is what it’s called, and the makers promise unique expression in a foot controller. (This was evidently a big hit at the show, too!)

https://effigylabs.com/effigy-home-page

Color sensing rings. Sphero Specdrums are wireless, optical, color sensing rings. (The idea of having musical rings just keeps coming.)

Giant panda piano. The piano section at NAMM and Germany’s Musikmesse always has something unusual, but this Seiler upright – out there. And if you figured something weird and panda-related came out of Asia, you’d be wrong – Seiler started in Germany, is now a US brand, and recently was bought by Nashville’s Samick Music Corporation.

A light-up uke. Solo Music‘s Lighted Ukulele should qualify as this year’s strangest use of RGB LEDs (though I know given what controllers look like these days, we can’t really make fun of ukelele players).

Brass knuckle mic accessory. Signs you may want to talk to your booking agent about the quality of your venues. Someone at Metaldozer had ideas about what to do with the metalworking.

And basically everything from Game Changer Audio. Need a sound source that’s got spinning discs with optical sensors and electromagnetic pickups? Or 3000 volts of plasma for distortion? Game Changer is all over new ideas; we’ll have reviews of their stuff soon.

https://www.gamechangeraudio.com/

Sonic State takes a look:

— and Gearnews.com did a nice writeup.

Plenty more where these came from – do check them out:

https://otheroom.com/namm/

And you’ll get loads more bizarre finds on Barry’s Facebook page, like… whatever this is:

The post Here are some of the weirdest musical instrument ideas from NAMM appeared first on CDM Create Digital Music.

FCC Issues Reminder on Upcoming License Renewal Cycle: Begins with Radio in Maryland, Virginia, West Virginia, and the District of Columbia in June and Pre-Filing Public Notices on April 1

Delivered... David Oxenford | Scene | Mon 18 Mar 2019 3:09 pm

The FCC on Friday issued a Public Notice reminding radio stations that the license renewal cycle begins in June, when all stations in Maryland, Virginia, West Virginia, and the District of Columbia are due to electronically file their license renewal applications, along with the Broadcast Equal Employment Opportunity Report on Form 396 (the 396 being required of all full-power stations, even those with fewer than 5 full-time employees). It is still unclear whether these applications will be filed using the current electronic database for radio (called CDBS), or whether the FCC will require radio stations to use the new electronic database that TV stations have been using for several years now (called LMS).

The renewal filing obligation applies to LPFMs and FM translator stations, as well as full-power stations. As we have written many times in recent months (for example here and here), after the June filing deadline for these Mid-Atlantic states, the renewal cycle moves south – with stations in the Carolinas filing by August 1. Every other month for the next 3 years, radio stations in other states will file their renewal applications. The order in which stations file is available on the FCC’s website, here. The TV renewal cycle starts one year later, beginning in June 2020.

The Public Notice reminds stations whose renewals are approaching that they must give public notice of the upcoming renewal filing on the 1st and 16th days of the two months preceding the renewal filing. We noted in our most recent post on upcoming regulatory dates that this pre-filing notice for stations in the Mid-Atlantic states with the June filing deadline must start running on April 1. The FCC’s Public Notice notes that the pre-filing notices should follow the format set out in the rules, even though that format is outdated, as it assumes a paper public file and a manned main studio, even though neither continue to be required by the FCC. Unfortunately, the FCC has not yet managed to update the public notice rule to take these changes into account.

The Public Notice also reminds stations of the importance of the online public file, and the documents that are required to be in that file. Last week, we wrote about an inquiry that came from the FCC addressed to many stations that either had not activated the file or which had incomplete online public files. This notice seems to confirm our concerns that the FCC will be reviewing the public file at license renewal time, and that stations that have not complied with the public file rules may be facing substantial penalties. As we wrote in the last license renewal cycle, stations that were missing Quarterly Issues Programs Lists for several quarters were receiving fines of $10,000 or more (see our articles here, here, here, here and here). This kind of penalty highlights the cost of noncompliance.

So the next license renewal is quickly becoming a reality for radio stations. Be ready to file when your turn comes, and keep up to date on new information from the FCC, including what database to use in order to file your renewal application. Finally, be sure that you are in compliance with the online public file rules and other compliance requirements to avoid big penalties during the renewal cycle.

Music, fashion and town planning: how nightclubs change the world

Delivered... Anna Codrea-Rado | Scene | Mon 18 Mar 2019 1:37 pm

From architecture to drug policy, nightlife quietly incubates ideas that then flourish in the mainstream. But, with brands moving in, club-cultural innovation is under threat

In the popular imagination, nightclubs are sweaty basements providing a soundtrack to drunken fumbles in the dark; an alien world with no connection or relevance to the more wholesome things that happen during the day. But the reality is that anyone with an Instagram account, a fashion magazine subscription or an interest in social activism is ultimately engaging with club culture. Nightlife is like an angel investor in pop culture, silently incubating grassroots movements and social moments, and since the first iterations of the disco, clubs have been a breeding ground for cultural experimentation.

To avoid disappointment get down early if you are buying a ticket or on the guestlist. Ideally before 12! Reminder that there is no pressure to dress up tonight!! Come as you feel

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Dis Fig On Finding Her Voice In Industrial Noise And The Importance Of Isolation

Delivered... chloe | Scene | Mon 18 Mar 2019 1:33 pm

The post Dis Fig On Finding Her Voice In Industrial Noise And The Importance Of Isolation appeared first on Telekom Electronic Beats.

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