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Indian E-music – The right mix of Indian Vibes… » 2019 » April » 25


May Regulatory Dates for Broadcasters – License Renewal Activities and Lots of Comment Dates

Delivered... David Oxenford | Scene | Thu 25 Apr 2019 5:25 pm

With the June 3 filing deadline fast approaching for license renewals for radio stations in Maryland, DC, Virginia and West Virginia, stations (including FM translators and LPFMs) licensed to any community in any of those states should be beginning to prepare their applications. As we wrote here, the FCC forms should be available next week, so once May 1 rolls around, early birds in those states can start to file their renewal applications and the accompanying EEO program report. These stations should also be running their pre-filing license renewal announcements on the 1st and 16th of May. Radio stations in the next renewal group, stations in North and South Carolina, should be prepared to begin their license renewal pre-filing announcements in June – so in May they should be recording and scheduling that announcement to run for the first time on June 1 (see this article on pre-filing announcements for more information).

While May is one of those months with no other regularly scheduled regulatory filing deadlines, it is full of other FCC deadlines including comment dates in several proceedings of importance to broadcasters. In addition, broadcasters in Arizona, Idaho, Maryland, Michigan, Nevada, New Mexico, Ohio, Utah, Virginia, West Virginia, Wyoming, and the District of Columbia that are part of an Employment Unit with 5 or more full-time employees should also be preparing to add to their online public inspection file their Annual EEO Public File Report – due to be added to their files by June 1.

One of the FCC proceedings with comment dates in May is the proposal to allow AM broadcasters to, at their option, convert to full-time digital operations. We wrote about that proposal here and here. Comments on the initial Petition for Rulemaking are due on May 13. While the FCC is now just seeking preliminary comments on this proposal (they have not yet issued a formal Notice of Proposed Rulemaking with specifics on proposed actions), filings on or before May 13 are important to let the FCC know whether there really are broadcasters interested in converting their AM stations to all-digital operations. So if you have an interest, file your comments in the proceeding by the upcoming deadline.

As we wrote yesterday, the FCC is also looking for updated information from operators of C Band earth stations as to the uses they are making of the 3.7 to 4.2 GHz band. Those updates are due on May 28.

Reply comments on the FCC’s latest Quadrennial Review of its ownership rules are also due in May. Comments in this proceeding, about which we wrote here, deal primarily with the possibility of changes in the local radio ownership rules. The FCC is also considering providing more definition as to when they will allow the common ownership of two of the top 4 TV stations in any market, and also at whether one party could own 2 of the top 4 broadcast TV networks. Comments on various ownership diversity proposals are also out for comment. Comments in the proceeding are due by April 29, with replies due on May 29.

Comments in the proceeding looking at changes to the rules governing the applications for and processing of new noncommercial FM and LPFM stations are due on May 20. The FCC is looking at changes in the information noncommercial applicants need to supply when filing for new stations, and other changes in dealing with NCE and LPFM construction permits once granted. For more information on this proceeding, see our article here.

At the May 9 FCC open meeting, the Commission will be considering its proposal on how to resolve interference complaints about new FM translator facilities by full-power FM stations. We wrote about the FCC’s draft order in this proceeding here. The FCC will also be considering a Notice of Proposed Rulemaking (here) on this year’s regulatory fees – likely to be paid in August or September. Under this proposal, some broadcast fees, particularly for radio, will be going up. Comments will be due at a later date after the NPRM is adopted.

We should also be on the lookout for dates for the commencement of filing of reimbursement requests by LPTV, TV translators and FM radio stations affected by the incentive auction. We wrote about the FCC’s order adopting rules for this reimbursement here.

All in all, it is a very busy month for broadcast regulatory activities. As always, these are just the regulatory dates that we have thought to highlight for the month. Check with your own advisors for other dates that may affect your station operations. And check out our Broadcasters Regulatory Calendar for dates that will be coming up in future months.

Moog Matriarch puts all your analog sound shaping in one keyboard

Delivered... Peter Kirn | Scene | Thu 25 Apr 2019 4:11 pm

Moog has taken the elements of their semi-modular line and given it a flagship – a patchable, calico-colored keyboard with sequencer, 4-voice paraphonic synth, and effects in one keyboard.

The pitch: even before you plug in cables to the copious patch points here, you can quickly get evolving strings of dreamy chords (or rich melodies), complete with delay and modulation. Those extra (analog, they want you to remember) specs aren’t just about more features. They’re about dialing in imaginative sounds. And so the Matriarch is an all-in-one keyboard that draws from Moog’s modular legacy, but in an integrated design you can use both with and without patching.

We’re definitely living in a weird timestream. When I started writing about music tech and joined Keyboard in the early 2000s, “workstation” keyboards were digital affairs, with functionality hidden deep in menus and screens. The key was to put as many instruments as possible – analog synthesis being seen as something retro and niche. Moog for their part had the Voyager, which took the Minimooog line in the direction of new analog exploration. But even Moog’s offering was primarily connected with MIDI cables, and had a touch panel right on the front.

Now, CV and gate – analog interconnects – are standard equipment alongside MIDI. People are happy to twist knobs rather than just dial up presets. (We, uh, could have told manufacturers that all along. Here’s a hint: if it’s fun, we’ll like it. Hence the term “play” music.)

And even if Moog are still (happily) outside the mainstream, there’s nothing saying their Matriarch has anything but broad appeal.

So here’s a keyboard proudly with wires popping out the top. And while Moog prominently tout “all-analog signal path” and “retro” design, we’re really seeing ourselves back in the parallel universe where analog synthesis never went away. On one hand, we’ve come full circle to some of the features first introduced in analog synthesis, but now it’s clearer what they’re for and how to make them more accessible. So for all its 1970s-derived features (Moog name included), the Matriarch is inventive in a way that makes sense in 2019.

Moog are pulling from the modular world, too, more aggressively than ever. Not only is this patchable, but the design does imagine a series of modules. So you get Minimoog oscillators, a mixer, classic Moog filters, envelopes and sound shapers. They’ve also built in a sequencer/arpeggiator.

The voice configuration allows mono, duo, and paraphonic playing modes, plus you have four notes per step in the sequencer.

My sense is what will make this interesting is the multiple modes on the filters combined with a Moogerfooger-like analog delay and tons of modulation. So you have dual ADSR envelopes and dual analog amplifiers, and two filters you can use in parallel or stereo or series. The delay is stereo (and ping/pong if you want) up to 700 ms – still waiting on Moog to tell me how short that delay can go.

Oh yeah, and ring mod possibilities also sound interesting. Plus they’ve got mults in there for making patching deeper onboard.

Specs:

Mono, duo, and 4-note paraphonic playability
Stereo analog delay with up to 700ms of stereo or ping/pong style repeats
256-step sequencer with up to four notes per step and 12 stored patterns
Arpeggiator with selectable modes (Order, Forward/Backward, Random)
Semi-modular analog synthesizer—no patching required
90 modular patch points for endless exploration
Expressive 49-note Fatar keyboard with patchable velocity and aftertouch
Four analog oscillators with selectable waveshape and hard sync per-oscillator
Full-range analog LFO with six selectable waveshapes
Dual analog filters with parallel (HP/LP), stereo (LP/LP), and series (HP/LP) modes available
Dual analog ADSR envelopes
Dual analog VCAs
Three bipolar voltage controlled attenuators with ring mod capability
2×4 parallel wired unbuffered mults
Additional simple analog LFO useful for adding modulation to delay, filters and VCAs
1/4″ external audio input for processing guitars, drum machines, and more through Matriarch’s analog circuits
Stereo 1/4″ and 3.5mm Eurorack level audio outputs

This is a Moog and a “flagship,” so it doesn’t come cheap – US$1999. That’s not to complain about the price, but it does mean if you’re in that budget, you have a lot of options. (Sitting next to me as I write this is Polyend’s Medusa along with Dreadbox, which has 6 voices instead of four, and some digital oscillators and modulation options that take it in a radically different direction from the Matriarch. Oddly, people complained about its price, and it costs half as much.)

I would personally be pretty tempted by Moog’s own Grandmother, the Matriarch’s baby sibling – with a street price around $800. It’s a monosynth, and the whole architecture is scaled accordingly. (It also has a spring reverb tank in place of the Matriarch’s delay). But you could use the saved money for a little Eurorack skiff.

That said, the Matriarch is a thoughtful, colorful, appealing new top-of-the-line for this family of Moogs. And it gets a Moogfest limited edition at the festival happening now – plus a lot of artists gathered who I’m sure will really want one.

https://www.moogmusic.com/news/introducing-matriarch

The post Moog Matriarch puts all your analog sound shaping in one keyboard appeared first on CDM Create Digital Music.

Top gigs in Bengaluru this week: Gioli & Assia, Lena Willikens & Twokid Wickid, Luke Kenny Live and – Indulgexpress

Delivered... | Scene | Thu 25 Apr 2019 12:19 pm
Top gigs in Bengaluru this week: Gioli & Assia, Lena Willikens & Twokid Wickid, Luke Kenny Live and  Indulgexpress

Gioli & Assia on the terrace. Apr 28 | KittyKO, The LaLiT Ashok This edition of the Sundowner gigs on the terrace will be headlined by Giolì & Assia, supported by ...

Top gigs in Bengaluru this week: Gioli & Assia, Lena Willikens & Twokid Wickid, Luke Kenny Live and more! – Indulgexpress

Delivered... | Scene | Thu 25 Apr 2019 8:00 am
Top gigs in Bengaluru this week: Gioli & Assia, Lena Willikens & Twokid Wickid, Luke Kenny Live and more!  Indulgexpress

Gioli & Assia on the terrace. Apr 28 | KittyKO, The LaLiT Ashok This edition of the Sundowner gigs on the terrace will be headlined by Giolì & Assia, supported by ...

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