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Indian E-music – The right mix of Indian Vibes… » Sturgill Simpson: Sound & Fury review – country’s outlaw catches fire


Sturgill Simpson: Sound & Fury review – country’s outlaw catches fire

Delivered... Alexis Petridis | Scene | Thu 26 Sep 2019 12:00 pm

(Elektra Records)
Another big shift in direction for Simpson, with anime visuals, glam rock, disco and grunge ornamenting never-more-country lyrics: it’s extraordinary

It seems almost beside the point to note that Sturgill Simpson’s fourth album sounds nothing like its predecessors, as his previous three albums didn’t sound much like each other either. His self-funded 2013 debut, High Top Mountain, suggested the arrival of an arch-traditionalist, a former serviceman and railroad worker, whose vision of country music was rooted in that of artists who balked at Nashville’s tendency to slather everything in a coat of gloss: a defiantly retro reanimation of the late 70s “outlaw country” of Waylon Jennings or Hank Williams Jr. But its successor, Metamodern Sounds in Country Music, was a kind of psychedelic opus, sprinkled with paeans to LSD and DMT – “woke up this morning and decided to kill my ego … gonna break on through and blast off to the Bardo,” opened Just Let Go – frequently set to music that matched: Mellotron and wah-wah guitars, vocals drenched in spaced-out echo.

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