Warning: mysql_get_server_info(): Access denied for user 'indiamee'@'localhost' (using password: NO) in /home/indiamee/public_html/e-music/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872

Warning: mysql_get_server_info(): A link to the server could not be established in /home/indiamee/public_html/e-music/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872
Indian E-music – The right mix of Indian Vibes… » 2019 » November » 04


Finish music faster in Ableton Live 10 with these Arrangement View tips

Delivered... Peter Kirn | Scene | Mon 4 Nov 2019 6:43 pm

Ableton Live is best known for its Session View grid, but the faster you are with Arrangement View, the more fluidly you can compose finished tracks. I put together a quick reference tutorial to help you work faster.

I’m pleased for this project to get to partner with Riemann Kollektion here in Berlin. Virtuoso techno producer and DJ/live act Florian Meindl heads Riemann as a label for sound content, mastering, nerdy apparel, and now various resources for honing your craft. Riemann is really a story in itself – it’s the natural evolution of electronic music business, catering to a world with more producers and DJs. Instead of lamenting the proliferation of music makers and the diminishing value of records, Florian is adapting, by serving that new market, while still remaining focused on the artists and sound of underground techno.

To me, being able to work quickly in a DAW means the power to make the tool disappear. It means shortening the distance between an idea and its execution. And Ableton have made some significant workflow changes in Live 10 and Live 10.1, which mean this is worth revisiting.

My basic strategy is this:

  • Exploit Scenes in Session View to make your basic song structure
  • Map parameters so you can not only mix, but tweak devices in real time
  • Learn the latest keyboard shortcuts to focus the display on your work, without mousing around
  • Adjust envelopes more directly and draw shapes
  • Use time operations and bounces to make big changes

I also point to some third-party tools that add additional power and control.

Check out the full tutorial:

Tutorial: Super Fast Arrangement in Ableton Live 10

And I’d love your feedback on additional tips to add. (Florian and I will keep updating it.) Plus if there’s another tool you’d like to see covered, let us know – especially if you’ve worked out some tips in your tool of choice.

The post Finish music faster in Ableton Live 10 with these Arrangement View tips appeared first on CDM Create Digital Music.

Twitter Bans Political Ads – Doing What Broadcasters are Forbidden to Do

Delivered... David Oxenford | Scene | Mon 4 Nov 2019 5:26 pm

It seems like every other week, there is a story about an online media giant making changes in their rules that govern political advertising on their platform – and being either praised or condemned for doing so. We recently wrote about the controversy over Facebook deciding to not fact-check candidate ads, and how Congress itself requires by statute that broadcast stations take that same position. Broadcast stations are not allowed to censor ads from legally qualified candidates so, except in very limited circumstances where the ads may be criminal in nature (and not where they might just give rise to civil claims, like in the case of defamation or copyright infringement), broadcasters cannot reject ads based on their content. The right of a person being defamed in an ad for redress of any civil claim they may have is against the candidate who sponsored the ad, not against the broadcaster. Last week brought the news that Twitter has decided to ban political ads from its platform. Broadcasters, on the other hand, have no ability to ban ads for Federal candidates, as Congress has legislated a right of access to the airwaves where broadcasters cannot refuse to run political advertising from any Federal candidate.

That right of reasonable access, written into Section 312 of the Communications Act, requires that broadcasters give Federal candidates access to all classes of advertising time sold on a broadcast station, and that access be provided in all parts of the broadcast day. See our post here for more information about that reasonable access requirement, and our post here on the limited exception accorded for special events with limited advertising inventory (like the Super Bowl), where the provision of ads to one side might be problematic as there would be no opportunity for an opposing candidate to find an equivalent opportunity to advertise, and because of the potential disruption to commercial advertising on these stations given the limited availability of advertising breaks in such programs.

The reasonable access requirement is imposed on all commercial broadcast stations. Its applicability to noncommercial stations was repealed when candidates started to demand free time on NPR affiliates (including one here in the DC region). It has never applied to cable systems – and certainly does not apply to online media platforms. It has also raised interesting issues about requiring access for some Federal candidates who, because of the no censorship provision of the rules that we wrote about in connection with the Facebook ads, decide to demand time to air ads containing content that reasonable broadcasters would prefer to reject, but have to run because of the interplay of these two rules imposed on broadcasters (see, for instance, our articles here, here and here).

The mandated access to broadcast stations is one more way in which broadcasters, in dealing with political advertising, are treated differently than are their online competitors. While there have been many calls to regulate the political communications obligations of online platforms in the same way as broadcasters are regulated, those making these calls need to be aware of just how broadcasters are regulated as many of those regulations would likely never be tolerated in an online world.

50 great tracks for November from Dua Lipa, Destroyer, Selena Gomez and more

Delivered... Ben Beaumont-Thomas and Laura Snapes | Scene | Mon 4 Nov 2019 11:00 am

From Victoria Monét’s sublime R&B to Lanark Artefax’s squirming electronics, check out 50 new tracks and read about our 10 favourites

Continue reading...
TunePlus Wordpress Theme