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Indian E-music – The right mix of Indian Vibes… » Beverly Glenn-Copeland review – a trance state of love, nature and spirituality


Beverly Glenn-Copeland review – a trance state of love, nature and spirituality

Delivered... Jude Rogers | Scene | Thu 7 Nov 2019 5:56 pm

St George’s, Bristol
Now 75, the ambient composer is on his first world tour, playing spectral music that carries the audience to a higher plane

‘This is from a recent album,” begins Beverly Glenn-Copeland, his hands in the air like a preacher, his gorgeous smile wide. “It’s from, er, 2003. Time goes fast when you’re old.” At 75, the Canadian musician’s spiritual blend of minimalism, new-age electronica, folk and lieder-style singing is having a moment, spurred on by a reissue of his 1986 album Keyboard Fantasies in 2017, and this year’s rerelease of 2004’s cosmic Primal Prayer, alongside a film, and his first ever world tour.

Related: Glenn Copeland: the trans musical visionary finding an audience at 74

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