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Indian E-music – The right mix of Indian Vibes… » 2019 » November » 08


Christopher’s Joseph’s Guide To His 10 Experimental Proto-Techno Influences

Delivered... Derek Opperman | Scene | Fri 8 Nov 2019 4:00 pm

The post Christopher’s Joseph’s Guide To His 10 Experimental Proto-Techno Influences appeared first on Telekom Electronic Beats.

MOTU’s new audio interfaces may finally be what we all need – $169.95

Delivered... Peter Kirn | Scene | Fri 8 Nov 2019 3:13 pm

The no-compromise and entry-level audio interface – it’s something that should be impossible, but MOTU might have just cracked it.

I have literally been trying to pack suitcases for a long trip, staring at audio interfaces because I can’t find the one that does what I need. I’ve been equally stumped sometimes asking inevitable questions from friends about what they should buy.

MOTU has always made great audio interfaces. But many of them require drivers, which means your Linux-running laptop with Bitwig Studio or your iPad with those great new Eventide apps are both out of luck. Or they don’t fit a small budget.

So the M2 / M4 genuinely surprised me. They have the specs of a high-end box from MOTU or others, but they start at US$169.95 and at last they also work with every OS, all squeezed into a portable package.

Here’s what you might not expect:

High-end converters

2.5 ms latency with their drivers

A high-res color screen and built-in metering (unheard of at this price)

RCA outs? MIDI I/O? Sure!

But that’s not why I say they’re really no-compromise (though the high-end converters surely go there). MOTU did their own custom USB drivers for ultra low-latency performance on Mac and Windows but they also made this class-compliant – so it doesn’t need drivers on Linux or iOS or Android.

And then the pricing is stupidly nice.

So finally, one little box does everything – and if you get into the iPad or Android or Raspberry Pi, you don’t have to go buy another interface.

Yes, these are USB-C but that will also connect to your existing USB A connection.

Promising stuff – I’ll be interested to pick one to review (or pick up one to hopefully keep).

Full specs from MOTU:

• 2-in / 2-out and 4-in / 4-out USB audio interfaces with studio-quality sound
• Best-in-class audio quality driven by ESS Sabre32 Ultra™ DAC Technology
• Best-in-class speed (ultra-low latency) for host software processing
• Best-in-class metering for all inputs/outputs with a full-color LCD
• 2x mic/line/hi-Z guitar inputs on combo XLR/TRS
• Individual preamp gain and 48V phantom power for each input
• 2x balanced 1/4-inch line inputs (M4 only)
• Hardware (direct) monitoring for each input
• Monitor mix knob to balance live inputs and computer playback (M4 only)
• Measured -129 dB EIN on mic inputs
• Balanced, DC-coupled 1/4-inch TRS outputs (2x for M2; 4x for M4)
• Measured 120 dB dynamic range on the 1/4-inch balanced TRS outputs
• RCA (unbalanced) analog outs that mirror 1/4-inch outs (2x for M2; 4x for M4)
• 1x headphone out (driven by ESS converters) with independent volume control
• MIDI in/out
• Support for 44.1 to 192 kHz sample rates
• USB audio class compliant for plug-and-play operation on Mac (no driver required)
• Windows driver with 2.5 ms Round Trip Latency (32 sample buffer at 96 kHz)
• Mac driver (optional, for 2.5 ms RTL@32/96 kHz and loopback feature)
• iOS compatible (USB audio class compliant) 
• Driver loopback for capturing host output, live streaming and podcasting
• Bus powered USB-C (compatible with USB Type A) with power switch (USB cable included)
• Rugged metal construction
• Workstation software included (MOTU Performer Lite 10 and Ableton Live Lite 10)
• 100+ instruments (in Performer Lite)
• Over 6 GB of included free loops, samples and one-shots from industry leading libraries
• Kensington security slot
• Built in the USA
• Two-year warranty

Now shipping, $169.95 for the 2×2 M2, or if you want 4 ins and 4 outs, $219.95 for the M4.

https://new.motu.com/en-us/products/m-series/m2/

https://new.motu.com/en-us/products/m-series/m4/

The post MOTU’s new audio interfaces may finally be what we all need – $169.95 appeared first on CDM Create Digital Music.

Don’t miss bangers from DutchAfro, more, in compilation for Dutch LGBTQIA+ refugees

Delivered... Peter Kirn | Scene | Fri 8 Nov 2019 2:27 pm

When it comes to activism, talented music producers still speak best in music. And now hear this – the Netherlands might be a different place than the one you imagine, starting with this killer cut from DutchAfro.

Let’s listen to “Time to Trip” in entirety first, as it’s just massive stuff, and from an artist largely unknown in the larger scene. “DutchAfro, Anna, is 24 years old and lives in Utrecht. Music has always been one of her big interests. Growing up in a cultural mixed family, she got stimulated to discover and explore music from the West (mainly Jazz and Motown) and Angola. “

That’s the kind of track I want to throw money at with or without a cause, but – yeah, there’s a cause, too. Place: The Netherlands is the latest in a series of electronic music compilations from industry heavyweight Kompakt, together with Air Texture from New York. The pitch: present music from a locale, not just as a sonic flavor, but as a platform for making real social change.

The series already knocked out must-hear gatherings of tracks from Colombia and Georgia (the European one). But its latest installment moves to the Netherlands – speaking of European politics. And it gives you a portrait of the Netherlands that might defy all kinds of biases, aesthetic ones included.

Among other cuts, get lost in the stacatto rhythmic fire of “Fibonacci Konnakol” by B C Manjunath. Or go deep into DJ Bone – the featured track on Bandcamp. Enter the abstract disorientation of blusher (an artist I’ve generally been finding lately). Dim Garden’s “Only You” seems it could drop in the middle of an EBM set for some catastrophic melodramatic theatrics. Or other brain ticklers and muscle stimulants… I could go on.

Maybe it’s no coincidence that political compilations lately have been so good. We’re in a generation of artists who feel urgency to their political cries, and whose outward spiraling production chops need outlets that aren’t only commercial and conformist.

Stream and buy the whole compilation on Beatport —

https://www.beatport.com/release/place-the-netherlands/2752631

or go preorder on Bandcamp:

Preorder now to get this when it arrives on the 15th. I mean, now is the time to do that – others are coming later.

Speaking of DJ Bone and the impact these sorts of benefits can have, Mixmag recently covered his epic ADE fundraiser:

DJ Bone and the power of charity through raving

More on this release – it is also a really special collaboration of two individuals:

Created in collaboration with Jasmin Hoek and Axmed Maxamed.
Jasmin Hoek is a DJ who plays under the name Jasmín. She was born and grew up in the east of The Netherlands, Enschede, and has now made her way to Amsterdam through Antwerp and Utrecht. In Utrecht she still hosts her own radio show on local radio station Stranded FM, as well as on Amsterdam’s Red Light Radio. Since her first club appearance two years ago, she has quickly made her way to the booths of Dutch clubs and festivals. In the past year, she started paving her way internationally with gigs in Berlin and New York.Next to djing she writes about music and club culture for various platforms, using her Gender Studies background as a framework.

​https://soundcloud.com/jasminhoek

Axmed Maxamed is a Queer Diasporic Somali activist, organizer and music nerd. Axmed was born in Xamar, Somalia where he also spent his early years until his family had to flee during the civil war and ended up in the Netherlands via other countries. He spent his formative years in Breda in the south of the Netherlands until he moved to Amsterdam some years ago. In Amsterdam Axmed co-founded Dance with Pride, a queer initiative which aims to re-unify dance music with its queer roots and raise money for grass roots queer initiatives with their fundraiser parties and sales of the Dance with Pride T-shirt. In addition to that Axmed is involved in other queer initiatives, with focus on QTIBPOC. Together with Ladan Maandeeq, Axmed started working on ‘Queer Somali Pasts and Presents: A Storytelling and Archival Project’ which will focus on the lives of Queer Somalis in the diaspora and Somalia, both in the present day and the past. As someone who came to the Netherlands as a refugee and is queer, this cause touches Axmed on a personal level.

Link: ​http://linktr.ee/axmed

Social Cause

ll over the world people from the LGBTQIA+ community are in danger. They are discriminated, persecuted, or worse in many parts of the world, forcing them to leave their homes to seek safety and protection in more socially accepting countries. People travel far from home without family or support systems.

In the Netherlands, many come seeking safety, but confront a difficult system where the process is confrontational and arbitrary. The Immigration and Naturalisation (IND) treats LGBTQIA+ refugees very poorly. Many have to prove they are Queer with detailed sexual and personal history – an invasion of privacy forcing the burden of proof on the individual at risk.

Many don’t get granted asylum and scared they will be sent back, are forced into a situation where they become undocumented. Outside of the system even basic needs like health care are not available.
The Netherlands positions itself as progressive and open but to People of Colour and other minority groups it is very different. LGBTQIA+ refugees are the most marginalized and the most at risk.

For Place : Netherlands we wanted to bring attention and funds to organizations that help Queer refugees get advice, find an extended sense of family and belonging, get legal work, and reenter society.

Partner Organization

Open Closet LGBT Netherlands

The Open Closet LGBT Netherlands was co-founded by Teddy Lyon as a response to the difficulties of his personal experience with the local immigration authorities (IND). Having decided that he is here to stay, the South-African born activist wanted to make sure that what happened to him does not happen to others.

Open Closet not only ensures that incoming LGBTQIA+ asylum seekers are properly registered, but also provides help with food, support towards the procedures required, counseling and a family where everybody is welcome. They provide a place to come together and cover for traveling costs if needed. By organising meetings regularly, they create a sense of community and belonging for queer asylum seekers in the Netherlands. Open Closet also ensures that asylum seekers are properly informed of their rights and options.

Link: ​https://www.facebook.com/2017radio.nl/

Go for it:

http://musicandactivism.bandcamp.com/album/place-the-netherlands

The post Don’t miss bangers from DutchAfro, more, in compilation for Dutch LGBTQIA+ refugees appeared first on CDM Create Digital Music.

Moor Mother: Analog Fluids of Sonic Black Holes review – raging protest poetry

Delivered... Ben Beaumont-Thomas | Scene | Fri 8 Nov 2019 11:30 am

(Don Giovanni Records)
The activist and musician overlays stunning sound collages with furious verses laying bare the lie of post-racial America

Philadelphian poet, activist and musician Moor Mother has gone from the corners of her city’s underground scene to presenting work at high-cultural institutions such as London’s ICA and Barbican, and collaborating with others to make industrial dub as Zonal and wavy club music as 700 Bliss: an intense but sustained flurry of activity that is testament to how keen and lucid her feeling is.

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Domestic disco! How messages from a marriage became a unique double LP

Delivered... Jude Rogers | Scene | Fri 8 Nov 2019 9:00 am

Fed up with texting her husband when he was working abroad, Laima Leyton turned home life into a rapturous electronic pop album – with a twist

When you are a musician and the primary parent at home – with five children between you and your partner – how do you make space to be creative? Especially when you have recently arrived in Britain from Brazil, and your husband, with whom you regularly make music, is often away for his work.

Out of the culture shock and loneliness, Laima Leyton has made an album full of sharp, precise electronic pop: the inventive and thoughtful Home. Pulsing in between the sounds of Jenny Hval, Ladytron and Laurie Anderson, it is about the questions thrown at you by long-term relationships, parenthood and where you belong. “I got to the stage where I wasn’t fussed about being a big techno DJ any more, pleasing the kids,” Leyton says. “I thought: ‘Why can’t I share the other things I think about? Why can’t I turn that into music?’”

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MOVEMENT MUSIC FESTIVAL TICKETS ARE NOW ON SALE!

Delivered... Spacelab - Independent Music and Media | Scene | Fri 8 Nov 2019 12:00 am
Movement is a great electronic music festival in Detroit, and its focus is Techno. It happens over Memorial Day weekend and has stood the test of time to grow into a quality event!
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