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Indian E-music – The right mix of Indian Vibes… » 2020 » January » 15


THE CHAINSMOKERS HAVE BEEN ADDED AS A HEADLINER TO THE CREAMFIELDS 2020 LINEUP!

Delivered... Spacelab - Independent Music and Media | Scene | Wed 15 Jan 2020 9:00 pm
They join Camelphat, Pendulum - Trinity and Armin van Buuren as people headlining the festival this year.

Disco Professor Daniel Wang Digs Into The “Infinite Past” To Inform The Present Of DJ Culture

Delivered... Caroline Whiteley | Scene | Wed 15 Jan 2020 4:31 pm

There may be several reasons why Daniel Wang has been labelled the ‘Disco Professor’ over the course of his career. His academic education being one of them, his treasure of knowledge when it comes to music history and theory being another. The critical thoughts he added as liner notes to some of his releases and the unfolding impression of him as disco’s elder statesman at the age of 50...

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SUNSET MUSIC FESTIVAL 2020 TICKETS ARE NOW ON SALE!

Delivered... Spacelab - Independent Music and Media | Scene | Wed 15 Jan 2020 4:00 pm
They're available as General Admission or VIP tickets. House Music, Dubstep, Trance and more. May 23 - 25 in Tampa!

2hp have a lunchbox modular synth in a literal lunchbox

Delivered... Peter Kirn | Scene | Wed 15 Jan 2020 2:28 am

One thing Eurorack modular doesn’t normally make you say is, “awwwww… cute!” But here’s a modular synth rig that looks as likely to contain a peanut butter and jelly sandwich as a synth.

Meet the 2hp Lunchbox, which is literally an oldschool lunchbox with handle. It’s 42hp – which isn’t itself a new idea, as the Erica Synths Pico System does the same. The new idea is putting that in an actual lunchbox, which is adorable – and practical, since it comes with a handle.

In order for this to be useful, you need modules that take up as narrow a footprint as possible. 2hp are already deep into that business, focusing exclusively on tiny modules. The fat-fingered or clumsy need not apply, but lovers of kawaii and tiny will be happy. They’ve got loads of stuff in their shop:

https://www.twohp.com/modules

Put that together with modules like the Erica Pico line and a handful of other minimalist makers, and you could have something really wonderful. It’s ambitious to say you’d use this on a plane as they claim, but … taking it on a budget short hop flight as carry-on sure as heck gets practical.

They’ve got full-blown systems in mind, in case you’re unsure how to populate your new lunch box. There are four systems coming (guess you can think of this as having mum or dad pack your lunch for you, eh?):

  • Picnic Basket
  • Synth Voice
  • Drum Machine
  • Effects Box

I don’t know what a picnic basket is, but all in all sounds, good.

And the minimalism is inspiring compelling designs – also upcoming from 2hp this spring: a compressor with sidechain, a time-domain pitch shifter with flutter, and a sound on sound looper. That looper should appeal to ambient creators; it’s got a 5-minute (!) loop time.

All of this stuff is economical to buy, meaning you get your fix of a new module for $119-149. And they’re not clones of existing modules (ahem) but new ideas.

Plus the more makers like 2hp join in with this form factor, the more choices tiny modular lovers will have. That sounds great indeed.

https://www.twohp.com/

https://www.twohp.com/coming-soon

Now can someone just get me a real food-oriented bento box matched with a modular? Then I’m in.

The post 2hp have a lunchbox modular synth in a literal lunchbox appeared first on CDM Create Digital Music.

Sequential’s Pro 3 is a new Prophet, while the others clone – so how does it stack up?

Delivered... Peter Kirn | Scene | Wed 15 Jan 2020 2:06 am

One person who isn’t just copying Dave Smith is – Dave Smith. Sequential are back with the new Pro-3, a flagship mono/paraphonic synth instrument.

Okay, to be fair – a Sequential synth (or Dave Smith Instruments synth) is always going to give you certain predictable elements, if in different combinations. But the Pro-3 at least continues the evolution and refinement of that line. And it offers an extraordinary amount of depth as a result – in the sense that you could really just play with this thing a … long … time … happily so …

The Pro 3 is right in line with the Pro line – the Pro 1 and Pro 2 monosynths, that is – but with some new ideas thrown into the mix. With that in mind, let’s first talk about what just went away – the Pro 2, the previous flagship monosynth. And in some ways, the Pro 2 is likely to be missed – for its uniquely accessible oscillators and architecture, and its 4-voice paraphonic mode.

The Pro 3 is pretty irresistible, though, in that it does three things:

  1. Builds a new architecture around three of everything – three oscillators (2 analog + 1 wavetable), three LFOs, and three filters to choose from to keep it fresh.
  2. Acts as a central workstation, with a powerful front panel sequencer (building on the Pro-2) and now CV integration so it fits in with modular.
  3. Costs just US$1599.

And that last one is a big deal. A producer can easily save up for this one instrument and wind up with a massively flexible powerhouse for sound design, with sequencing built in. Sequential’s stuff has managed to get more powerful but less expensive, and yet you still get something that feels luxurious, boutique, and – well, personal, in a way a big mass-produced thing might not.

This is Dave. As far as we know, no one has yet cloned him or his team.

Some highlights:

Dual digital effects – again, you can do a whole lot right on this one keyboard, but without menu diving as you might on a digital workstation

A 32-slot mod matrix for loads of modulation

Analog integration – four CV ins, four outputs, dedicated gate output – all running at audio rate (take that, MIDI!) and all assignable from that powerful mod matrix

Classic Sequential analog oscillators, times two

One wavetable oscillator for the edgy digital spice when you need it, for the third oscillator – 32 tables of 16 waves each, with wave morphing, so a lot of spice

Three vintage filters to choose from – 4-pole low pass (a la Prophet-6), 2-pole state-variable (a la Oberheim OB-6) for continuously moving between low-pass + notch + high-pass,

Analog distortion, Drive control on the filters

And all of this combines with a sequencer, included on the keyboard so the workflow is integrated. That includes ratcheting, input via both real-time and step-input, and works with both MIDI and CV (and analog and MIDI clock, too).

Plus, the sequencer integrates with the mod matrix – noticing the pattern here? That justifies the inclusion of a sequencer on the keyboard, because then integration is already done for you. Instead of spending your time programming, or working to assign your sequencer to your instrument, you can get right into playing and sequencing.

(I say all of this because – I just read some concerns from a colleague, and this is essentially my answer.)

So sure, you get 3-voice paraphonic mode instead of 4, but as deep and wild as the Pro-2 was, the Pro-3 seems deeper and wilder.

The SE edition, if you have extra money and want something more collectible. Also – tilt-up panel is definitely cool, whether or not you crave wood.

Heck, in this giant wave of polysynths, the Pro-3 is a pretty damn good argument for getting back to monosynths again.

And you know the package will be plenty luxe, as per usual Sequential standards. If you want it to be even more so, you can spring for the Special Edition, for US$2099. That includes a tilt-up control panel and “full, premium-grade walnut trim.” I’m sure it’ll be a collectors’ item, but I’m tempted to just buy a stand to tilt this up and then go with a nice bottle of bourbon while I invite friends over for some Pro-3 jams, you know?

A little birdie told me some close friends of CDM might have worked on this beautiful beast, and I know it’ll be at NAMM, so I will send our espionage network out to learn more.

But even in this deluge of synths, the Pro-3 looks really lovely.

More on the somewhat complicated endless stream of DSI/Sequential instruments can be perused in the PDF chart they put together. Basically, if you want a really cheap 4-voice, find a used MOPHO X4. The Pro-2 was all digital oscillators, but you did get more of them – 4x + 1 sub oscillator, meaning a used Pro-2 should still be on your radar if you’re thinking Pro-3. And then there are the very excellent polyphonic Prophets.

More at Sequential (formerly DSI aka Dave Smith Instruments):

Previously:

The post Sequential’s Pro 3 is a new Prophet, while the others clone – so how does it stack up? appeared first on CDM Create Digital Music.

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