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Indian E-music – The right mix of Indian Vibes… » 2020 » September » 24


THE LOST LANDS LIVESTREAM IS THIS WEEKEND!

Delivered... Spacelab - Independent Music and Media | Scene | Thu 24 Sep 2020 9:48 pm
It's called Couch Lands, and it happens Friday and Saturday. See the schedule and connect to the livestream.

THE BONNAROO LIVESTREAM IS THIS WEEKEND!

Delivered... Spacelab - Independent Music and Media | Scene | Thu 24 Sep 2020 9:48 pm
The Bonnaroo Livestream is called Virtual Roo-Ality — see the schedule and watch the livestream.

Moog’s Matriarch gets dark; go deep into modular synthesis on this instrument with us

Delivered... Peter Kirn | Scene | Thu 24 Sep 2020 7:24 pm

Moog's patchable Grandmother and Matriarch just got black-panel makeovers, so they look like the historic 900-series modules that inspired them. And today, we kick off a series that uses this instrument to teach modular synthesis as musical technique - for beginners and advanced players alike.

The post Moog’s Matriarch gets dark; go deep into modular synthesis on this instrument with us appeared first on CDM Create Digital Music.

Róisín Murphy: Róisín Machine review – still inventing new moves

Delivered... Alexis Petridis | Scene | Thu 24 Sep 2020 12:00 pm

(Skint/BMG)
Pop outsider and lockdown living-room star Murphy distils her disco expertise and musical idiosyncrasies in songs pulsing with dancefloor power

The first thing you hear on Róisín Murphy’s fifth album is a snatch of spoken word, an extract from a monologue that appears in full later. “I feel my story is still untold,” she says, “but I’ll make my own happy ending.”

Murphy’s fans may concur with the sentiment. It’s an article of faith among them that the former Moloko frontwoman should be more famous than she is: look online and the word “underrated” seems to attach itself to her like a nickname. Watching the footage of her performing her former band’s 2003 single Forever More at Glastonbury, or the videos she posted from her living room during lockdown, you can see what they mean. The former offers eight minutes during which Murphy manages to sport four different, preposterous headdresses and execute a mid-song costume change from late-80s raver in puffa jacket, beanie and KLF T-shirt into a glamorous red dress and feather boa. The latter’s high point might well come during a rendition of Murphy’s Law, a single from Róisín Machine, that also involves several changes of headdress: high-kicking around her coffee table, she falls flat on her arse, rectifying herself with a defiant bellow of “I’m alright!” You watch them and think, yes, the charts probably would be a more interesting place if, say, Dermot Kennedy or James Arthur made way for Murphy.

Related: Róisín Murphy: ‘In my pregnancy I was fed like a goose being fattened up’

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