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Indian E-music – The right mix of Indian Vibes… » 2021 » February » 12


FCC to Hold Hearing to Determine What Felony Conviction of Station Owner Means for License Renewal – What Does the FCC Character Policy Require of Broadcast Applicants?  

Delivered... David Oxenford | Scene | Fri 12 Feb 2021 3:35 pm

This week, the FCC designated for hearing the license renewal applications for a number of Alabama radio stations because of their owner’s conviction on felony ethics violations, stemming from misconduct while he served in the Alabama legislature.  The hearing is to determine the effect of those felony convictions on the character of the licensee to hold a broadcast license.  The Communications Act requires that a broadcast licensee (and its owners) must have the requisite character to operate the station.  Character is reviewed whenever a party seeks to acquire a broadcast license, including when they file for the renewal of that license.  In egregious circumstances, the FCC can even move to revoke the licenses held by a licensee outside of the license renewal process.  Even the sale of a license by a party without the required character qualifications may be prohibited by the FCC, as the Commission does not want to see a wrongdoer profit from the disposition of what is seen as a government asset – the FCC license.

Character has been defined by the FCC through numerous policy statements issued periodically over the last 50 years, and has been further refined by precedents established in individual cases.  This week’s case gives us the opportunity to look at what conduct the FCC considers in assessing the character of any broadcast application, and the factors that are reviewed in determining the impact of bad conduct on the ability of the applicant to hold an FCC license.

While not at issue in this week’s case, perhaps the most common type of character issue that comes before the FCC relates to conduct before the agency itself.  Misrepresentations or “lack of candor” before the agency are serious offenses, as the FCC feels that it must be able to rely on the truthfulness of representations made to it by its licensees.  As the FCC cannot verify every factual statement made in every application or other filing made before the agency, it considers it a serious offense if an applicant makes untrue or misleading statements to the Commission in any of its submissions to the agency.

Similarly, compliance with the FCC’s own rules can be considered in a character context.  While the FCC generally recognizes that licensees are not perfect and can err in their compliance, a pattern of regulatory noncompliance can indicate that the applicant does not have the requisite character to be a licensee.  In most cases, fines (or “forfeitures” as the FCC refers to them) will be imposed for simple violations of FCC rules, but more serious, repeated violations can lead to stiffer penalties or even the loss of a license.

Harder character questions are raised, as in this week’s case, by misconduct that occurs outside the FCC’s jurisdiction.  Over its history, the Commission has struggled to determine how much weight it should give to legal violations by individuals or corporate owners that arise not in the broadcast business, but in other contexts.  In the 1970s and early 1980s, misconduct of any type could be considered by the FCC.  So we saw extensive examinations of the records of broadcast licensees where individuals or corporate affiliates had a wide variety of non-broadcast misconduct – from violations of foreign corrupt practices acts to discriminatory conduct.  The FCC later retreated from that expansive view of misconduct, suggesting that its examination should be limited only to conduct related to a company’s broadcast operations, before quickly determining that such a narrow standard was too restrictive.

In the late 1980s and early 1990s, the FCC arrived at a standard that is generally still used today, where the Commission considers not only broadcast and other media-related legal violations, but also felonies of any sort.  The Commission’s reasoning, as reiterated in this week’s decision, is that any serious crimes could indicate that an applicant cannot be trusted to follow FCC rules.  FCC forms require applicants to list FCC character issues found in other cases, as well as all felonies, all media-related antitrust violations, fraudulent statements to another governmental unit, and any finding of discrimination.  These legal matters need to be reported not just for the applicants, but for other businesses or activities in which the applicant’s principals have interests.

In most cases, the FCC will not itself make the determination as to whether an individual violated some law or regulation, but instead will consider misconduct when it has been adjudicated by a court or other government agency.  However, the FCC has left itself room to look at other egregious misconduct even if that conduct has not already been finally determined by a court or government tribunal.

But in any case, whether it be a felony or any other misconduct, the fact that the conduct occurred does not in and of itself mean that someone is unfit to be a broadcast licensee.  Instead, the FCC needs to weigh multiple factors to determine if the conduct is disqualifying.  The FCC will weigh factors including the willfulness of the conduct, the frequency of the conduct that led to the misconduct findings, how current the findings are, how serious the wrongdoing was, whether individuals with management authority over the stations were involved in the misconduct, whether there were efforts to rectify any wrongs that were done, the history of FCC compliance of the applicant, and whether there has been a rehabilitation of the applicant.  This is a balancing process. An individual who was involved in some minor crime long ago, served his or her time, and has led a productive post-conviction career might not be disqualified from broadcast ownership.  But other more recent crimes, or those that are particularly shocking to the conscience, can lead to a stigma for much longer periods.

All of these factors are weighed through an administrative hearing, which as of November 2020 will largely be a paper-based process, rather than the previous approach of a live hearing before an FCC Administrative Law Judge.  Under these new procedures, the hearing proceedings are resolved on a written record consisting of an affirmative case, responsive case, and reply case submissions, along with all associated evidence in the record, including stipulations and agreements of the parties and official notice of material facts.  Live testimony will only occur if the Judge believes it to be necessary to give the parties due process.  Based on that record, the ALJ will issue an Initial Decision.  That Initial Decision will be subject to review by the full Commission.

As with any area of FCC law, this article cannot cover the many nuances of the Commission’s policies in assessing the character of an applicant coming before it.  Suffice it to say that if an applicant, or any principal in an applicant, has had any issues in dealing with the FCC or any other legal trouble in any business or activity in which they are involved, consult counsel, as particular facts can make big differences in the outcome.  Even in the most serious cases, there may be circumstances where a station can be sold or otherwise disposed of in a way to avoid a total loss that would arise from a lost license.  It is a complex area that needs to be navigated carefully.

Badman Forward: Dubstep’s History and Legacy

Delivered... ztippitt | Scene | Fri 12 Feb 2021 2:02 pm

Nightlife meets wildlife: the albums mixing birdsong and techno beats

Delivered... Jo Griffin | Scene | Fri 12 Feb 2021 12:00 pm

A Bogotà nightclub has used the sounds of animals and birds in the Colombian capital to make a new kind of dance track

Stuck inside and unable to hit the dancefloor, many of the regulars at the electronic dance nights at Bogotá’s popular nightclub Kaputt found themselves missing the clubbing community when they were forced into lockdown by Covid-19. But then came a rallying cry from DJs Jorge Pizarro and Felipe Rodríguez: start recording the “sounds from your window”.

Now the results of that callout are reaching a global audience, with a set of albums blending the sounds of animals and birds in the Colombian capital with techno beats available for streaming.

Fans of electronic music may be more willing to engage with ecology because dancing to it is spiritual, a mystical experience

Related: Building a green economy could stop ‘nightmare’ degradation of Amazon

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Pauline Anna Strom: Angel Tears in Sunlight review | John Lewis’s contemporary album of the month

Delivered... John Lewis | Scene | Fri 12 Feb 2021 9:30 am

(RVNG)
Strom’s first album in 30 years – and last, following her death in December – is a quiet riot of digitally manipulated drones and noise

The music of the San Francisco-based composer Pauline Anna Strom, who died just before Christmas, aged 74, might be described as new age – a mystical, trance-like synthesised babble that could conceivably accompany meditation sessions or yoga classes. But Strom was a cheerfully cantankerous figure who drew from more arcane Californian sources. Listen to the music that she released in the 1980s as Trans-Millenia Consort and you can hear traces of the blissful minimalism of Terry Riley; the wobbly electronica that Stephen Hill used to play on his Hearts of Space radio show; the electro-acoustic compositions of Joanna Brouk; even the hypnotic trance music that Alice Coltrane was making in her Santa Monica ashram.

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