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Indian E-music – The right mix of Indian Vibes… » Lyndsey Winship

HQ: (I Feel So Mezzaniney) review – follow the warped French maids!

Delivered... Lyndsey Winship | Scene | Mon 10 Dec 2018 5:57 pm

Second Home, London
Disaffection trumps dynamism in Steven Warwick and Carlos Maria Romero’s site-responsive piece staged in a co-working space

The minimal electro beat ramps up and a gaggle of go-go dancers swivel their hips. Dressed like warped French maids in frilly wetsuits and heels (men and women alike), they are not dancing with joy, nor offering the hard sell of someone trying to persuade you to tuck a bank note in their knickers. But there is effort, no doubt about that. This is the unsexy sweat of work, and these workers are putting in their hours.

Part of the London contemporary music festival, this is a site-responsive piece by composer Steven Warwick and choreographer/dancer Carlos Maria Romero, a London-based Colombian mostly working in live art and queer politics.

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