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Indian E-music – The right mix of Indian Vibes… » electronic-music


Enter the freaky trippy acid 90s German synth world of Air Liquide

Delivered... Peter Kirn | Artists,Labels,Scene | Wed 22 May 2019 12:02 pm

If you need a break from buttoned-up techno, dance music as business and fashion statement and morose wallpaper – take a holiday with some “trippy mindfkk-muzzikkk.” Here, we’ve got 170 tracks from 1991 Cologne to today to get utterly weird.

In 1990s Cologne, if the techno scene was spread too thin, you could just manufacture a few dozen aliases and DIY the whole thing. At least that seems to be the approach taken by our friends Air Liquide, aka Cem Oral and Ingmar Koch, and a half dozen or so core artists – a band of buddies making weirdo sounds. See the full alias list at bottom, but DJ DB (aka DB Burkeman) traced the history of the duo for the now-defunct THUMP from VICE:

DB’s No School Like the Old Skool: Air LiquideMeet the German analogue techno duo that rocked the 90s underground with a hundred different pseudonyms.

Now, just when you thought it was safe to go back to Germany, Air Liquide have returned to make European electronics mindfkked again.

We’ve got over 16 hours – 170 tracks – on streaming services like Spotify, chronicling the evolution (or whatever it was) of Air Liquide from 1991 through today. The sounds are futuristic, spacey, hyperactive, bizarre – everything in turns. You know you need some broken ultra-fast acid piping through Spotify on your next workout, of course:

via Spotify playlist

Details:


“AIR LIQUIDE – almost complete” – spotify playlist with over 16 hours of trippy mindfkk-muzzikkk

It includes, for instance, tracks inspired by the TV show Robot Wars:

Or here’s a track compiled by Loveparade founder Dr. Motte:

If you like what you hear, you can download those releases now, on iTunes:
https://itunes.apple.com/us/artist/air-liquide/5352330#see-all/full-albums

and on Beatport:
https://www.beatport.com/artist/air-liquide/7230/releases

But in addition to that history, their label Blue is back.

Maybe this comes at an ideal time. With so many records sounding like generational loss – copies of copies of 90s records, watered down and sanitized and fed through Instagram – the new Air Liquide project is both real media archaeology and real invention. You get remasters and rereleases of the actual original records, and – this is important – they’re making new stuff.

Air Liquide are back.

So albums like Liquid Air and Mercury EP are returning on colored vinyl and cheap-for-everybody digital. But you can also expect new creations, like a mini-album called “ALTR” which they’ve let CDM know they’re finishing now with German rave legend t.raumschmiere. And there’s upcoming collaboration with American poet Mary S. Applegate – yes, the cousin of Christina Applegate – later this year, along with other releases.

There’s even some unreleased 1992-93 era stuff in store, they tell us.

They’re also acting as our guides through other freaky sounds, as on this new Spotify playlist “Der lärm der stille“.

Included is “some crazy tripmusic we love – paired with some of our own brain fkk trax” – up to 94 tracks and over 8 hours so far, from around the world and the years:

Their favorite machines

One thread through all this music is a real, profound love for sound and electronics – and synths and noisemakers and effects, like, everywhere.

CDM asked for some of the duo’s favorite stuff, and here’s what they’ve come up with:

dr walker:
drummachines:
erica synths technosystem
akai mpc3000 (modded)
akai mpc60 mk 1 (modded)
ensoniq asr x (modded)
superpocketoperator build by doc analog with 2x teenage engineering po32, ipad with patterning2 and erica synths fusion valve filters. all in an old army flightcase
roland tr8s
endorphin.es black noir with twisted electrons crazy8beats

synths
acd666
polyend medusa
erica synths liquid sky dada noise system
acl system 1
native instruments thrill
erica synths bassline
twisted electrons therapkid
gamechanger audio motorsynth
izotope iris 2

effects:
ninja tune zendelay
erica synths & gamechanger audio plasmadrive
bastl instruments dark matter
crazy tube circuits stereo splash mk III
snazzy fx wownflutter
catalinbread csidman

on the wishlist:
sequential rev2
korg prologue 16
emu e II+ (modded)
roland 750 (modded)
superlatives sb1 spacebee

Postlude: namedrop this, m************:

Yeah, okay, starting a sentence with “maybe you’ve heard of” with Air Liquide could take a while if you want to check on all their aliases. From the VICE report – amazingly, possibly even incomplete:

Madonna 303, Black One, Digital Dirt Inc, Ingy-Babe, John Amok, Unit 700, Acid All Stars, Der Tote, DR. Echo, Free Radicals, Flüssige Luft, G 104, Message, Oral Experience, Alpha Unit, Basstards, The, Bionic Skank, Cipher Code, Cube 40, Denpasar, Electronic Dub, Ethik II, Even Brooklyn Grooves, Fridge Pro 1, Future Shock Project, Futuristic Dub Foundation, G.L. Posse, German Electronic Foundation, M.F.A., Mental Bazar, Multicore L.T.D., Non Toxique Lost, Outernational Steppers, Restgeraeusch, Rub-A-Slide, Set Fatale, Slime Slurps, , Time Tunnel, Titanium Steel Screws, Tone Manipulators, Trancemagma, Dzeta Walker, Ultrahigh, UMO, Vene, View Point Odyssey, Zulutronic, Black One, Digital Dirt Inc, Dr. Walker, Ingy-Babe, John Amok, 370°, Acid Force, Air Liquide, Alternate States, Atlantic Trance, Bleep, The, Brotherz In Armz, Cipher Code, Commando, The Creature, Denpasar, Dr. Walker & Electro Atomu, Dr. Walker & M. Flux, Electrochic, Electronic Dub, Elevator 101, Ermionis Phunk Crew, Ethik II, Fridge Pro 1, Future Shock Project, German Electronic Foundation, Gizz TV & Walker, Global Electronic Network, Helden Der Revolution, House Hallucinates, GEF, Khan & Walker, Lovecore, Mental Bazar, Mono-Tone, Multicore L.T.D., Pierrot Premier, Planet Love Ink, Planet Lovecore, Psychedelic Kitchen, Radiowaves, Recall IV, Red Light District, Rei$$dorf Force, Resist 101, South 2nd, Stardate 1973, Structure, Tantra-M, Technoline, Time Tunnel, Trancemagma, Trip 2001, Unbelievable, Unlimited Pleasure, Vermona, View Point Odyssey, Dr. W and X-911.

They have shared this new short bio/history with us, to give you the full story:

AIR LIQUIDE

Born out of innovation & originality, Air Liquide are for many people one of contemporary electronic music cultures most pioneering, important and inspiring projects.

Cem Oral aka Jammin Unit and Ingmar Koch (Dr.Walker) first met in 1989 in a Studio in Frankfurt Main, in Germany. As it often is when like attracts like, it wasn’t long before they recognized their mutual love, not only for experimental, abstract and lo-fi musics but also for Alien, Bigfoot, Telepathy stories of Parallel Universes and Fairytales with a somewhat darker side. So it was just a matter of time before the two were getting together in the studio at the end of their respective dayshifts, to commence their own nightshift recording sessions of abstract noise, cut-ups and experimental soundscapes.

As well as Techno itself, likewise Acid, Industrial Noise, Ernste Musik, Ambient, Kraut Rock, Space-rock, 70s Psychedelia Underground Hip Hop and Musique Concrete were all somehow present and in the mix of the evolving Air Liquide sound, sitting comfortably and perfectly at home with elements of Turkish and Arabian traditional Music’s. The production process took on board a similar innovative and pioneering approach in its fusion of Modern Dub paired with the intensity of the all important groundbreaking Roland 909, 808, 303 and 101 must have technology of the day.

In 1991, they formed Air Liquide.

The fusion that was created boldly incorporated a past it was proud of, free of revivalism or plagiarism, clearly created in and reflecting undeniably a soundscape for the here and now that proclaimed uncompromisingly and assuredly, welcome to the future!

In keeping with every other aspect of their venture, Cem and Ingmar followed their intuition and instincts rather than established tradition, and immersed themselves in freestyle jam sessions, recording the entire one or two hours that they lasted. Upon later listening it would be decided if any parts of the jam session were up to the pairs criteria to be edited out and tweeked into tracks for release.
This is the paradigm within which the Air Liquide creative process birthed “Neue Frankfurter Elektronik Schule”, their first record, released in 1991 on their own label ”Blue”. The first pressing of 1000 copies, released on coloured vinyl, sold out in the first hour after its release!

This was a remarkable achievement, for an unknown band without any direct link to the House Music Scene. Via experimentation Air Liquide reintroduced a living breathing life affirming energy into contemporary music culture, much the same as techno and house did via rave and most importantly dancing. No surprise then that in a very short space of time, accolades like ‘The true heirs to Can’, ‘The Greatful Dead of Techno’ & ‘The spearhead of German Techno’ were incoming thick and fast from the International Music press. Their mixture of Hip Hop, Psyche & Krautrock, Acid & Techno endeared them to a rapidly established and increasing fan base around the Cologne area.

Their eclecticism, originality and self respect, as apparent in a seemingly “no respect for any rules” approach endeared them to that international music press, fans and professionals alike, especially as those professionals were born of the same spirit, as it had been in their own break through years. Like attracts like, the true fans of such musics, such fusions and the spaces that are created for and by these musics, of course could and can feel that, and step up to support it without question.

Then you have guests at your live jams like Michael Rother, Holger Czukay, Luke Vibert, Helmut Zerlett, Craig Anderton, Arno Steffen, Caspar Pound, Fm Einheit. Then your 100% improvised live shows successfully bring surprise, ecstasy, the unexpected and exactly all that people are wanting from you, as well in ways they are not expecting, all in a guaranteed we deliver way, regardless however it may be presented. Then you will be invited to join the roster of USA sm:)e records, the cult sub-label of Profile, that being the label of Run DMC. Likewise in UK, being asked to release on Casper Pounds all important Rising High Records.

And when your fusion of the experimental soul of contemporary electronica and krautrock creates such a superb and flawless fusion that fans from both sound spectrums love you for it, well then one of the all time forward thinking labels ever, Harvest records, will come out of retirement and re activate solely for the purpose of releasing your recordings.

Which is exactly what happened in 1993. That happens if you mean what your doing and if what you are doing is truly valid and unquestionably relevant.

Air Liquide were inspired, moulded by and arose from within that timeless borderless creative Freezone that births truly great Sound & Vision in every respect. It is where they still reside, and it is from there that they now re-emerge to mark 3 decades of living on the frontiers of International ground breaking contemporary ahead of the curve Music, Art, and attendant Technology subcultures.

Air Liquide represent the ultimate fusion of ideals, not believing the hype, not being swayed by past or present dogmas and staying true to their innermost aims and feelings, without question. The real thing if you will. Air Liquide were since their inception in 1991, always have been and still are very much the real thing, through and through!

Modern photos by George Nebieridze; all pictures courtesy Air Liquide.

The post Enter the freaky trippy acid 90s German synth world of Air Liquide appeared first on CDM Create Digital Music.

Natalie Portman criticises ‘creepy’ Moby over ‘disturbing’ account of friendship

Delivered... Ben Beaumont-Thomas | Scene | Wed 22 May 2019 10:16 am

Musician says in memoir the pair dated, but Portman disputes account, saying ‘my recollection is a much older man being creepy with me’

Natalie Portman has criticised Moby for a “very disturbing” account of their friendship in his new memoir Then It Fell Apart.

In the book, the musician, now 53, claims the pair dated when he was 33 and Portman was 20, after she met him backstage in Austin, Texas. He recounts going to parties in New York with her, and to see her at Harvard University, “kissing under the centuries-old oak trees. At midnight she brought me to her dorm room and we lay down next to each other on her small bed. After she fell asleep I carefully extracted myself from her arms and took a taxi back to my hotel.” He says that he then struggled with anxiety about their relationship: “It wanted one thing: for me to be alone … nothing triggered my panic attacks more than getting close to a woman I cared about.” Later, he writes: “For a few weeks I had tried to be Natalie’s boyfriend, but it hadn’t worked out,” writing that she called to tell him she had met someone else.

Related: Then It Fell Apart by Moby review – sex, drugs and self-loathing

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Stockhausen: the composer who makes Wagner look anaemic

Delivered... Kate Molleson | Scene | Tue 21 May 2019 4:50 pm

His ego knew no bounds … but nor did his operas that feature camels, helicopters and giant pencil sharpeners. As his epic Donnerstag aus Licht comes to the UK for the first time in 34 years, we separate the cult from the culture of Karlheinz Stockhausen

Matched in musical-myth-mania perhaps only by Richard Wagner, Karlheinz Stockhausen is the ultimate conundrum for those of us who believe keenly in shifting classical music culture away from its alpha-male genius complex – but are still enthralled by the music. Do we get to have it both ways?

The German-born composer was the self-mythologiser extraordinaire who had entrancing charisma, bullish intelligence, no shortage of game-changing opinions, nor shortage of confidence with which to assert them. A guru with disciples and rivals, he fostered a personality cult that went way beyond his music to encompass fashion, spirituality, even a galactic origin story. Isn’t this precisely the artist-as-hero narrative we need to dismantle?

He declared that God gave birth to him on the star Sirius, and that he was musically educated up there in the galaxy

Sink into Donnerstag and you'll hear wondrous orchestral kaleidoscopics, vocal elasticity, vintage 70s electronic wizardry

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The month’s best mixes: steely funk, Lisbon tarraxo and hardcore psychedelia

Delivered... Lauren Martin | Scene | Tue 21 May 2019 1:00 pm

Our May selection features Job Sifre’s bitter electro, TSVI’s polyrhythms, and a trip down memory lane with Tama Sumo

Related: 'We're not beard-strokers!' Wigflex, Nottingham's 'rudeboy techno' night

Related: The month's best mixes: dancefloor stormers and experimental sidewinders

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Beats, rhymes and strife: how ravers raised the roof on mass protest

Delivered... Libby Brooks | Scene | Fri 17 May 2019 12:55 pm

A new film about Glasgow’s thumping 90s clubland traces a lineage of grassroots radicalism still thriving today

Beats is a gem of a film that has drawn attention not just for its exuberant depiction of early 1990s rave culture but the deeper questions it raises, 25 years on, about the legislation that criminalised the free party movement – and about how the UK pivoted from Reclaim the Streets, via Cool Britannia, to Brexit Britain.

Set in the summer of 1994, as the Criminal Justice Bill threatened to outlaw musical gatherings around “sounds wholly or predominantly characterised by the emission of a succession of repetitive beats”, the film charts the friendship – by turns madcap and tender – between teenagers Johnno and Spanner as they struggle to escape the restrictions of family and class on their West Lothian housing estate. With the help of a sisterly gang of older girls, the boys bounce into their local rave scene and soak up the ethic that “the only good system is a sound system, and if I can’t dance then it’s not my revolution”.

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The best UK garage tracks – ranked!

Delivered... Alexis Petridis | Scene | Thu 16 May 2019 5:38 pm

It’s 20 years since Sweet Like Chocolate became the biggest UK garage hit. Time to re-rewind and select the scene’s best tracks

The apotheosis of UK garage as pop, Sweet Like Chocolate was a platinum-selling No 1 in 1999. A noticeably more toothsome and commercial take on garage than its predecessor – Straight from the Heart, recorded when Shanks & Bigfoot were still called Doolally – it was apparently beloved of Britney Spears.

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Actress x Stockhausen Sin (x) II review – transcendent AI-driven opera

Delivered... John Lewis | Scene | Wed 15 May 2019 12:47 pm

Royal Festival Hall, London
DJ and producer Actress strays even further from the dancefloor as he takes on Stockhausen’s famously over the top Mittwoch by sampling Westminster debates

You can see why Karlheinz Stockhausen might appeal to the DJ and producer Darren Cunningham, AKA Actress. Like Stockhausen, Actress makes mischievous soundscapes that gleefully cite arcane references, from absurdist Japanese painter Yayoi Kusama to sculptor Anish Kapoor, from Milton’s Paradise Lost to Jungian psychology.

Tonight’s performance is loosely based on the opening act of Mittwoch, part of Stockhausen’s bonkers 29-hour opera cycle Licht. The complete work famously features a dancing camel and a quartet of cellos, each playing in separate airborne helicopters. This section is adapted from the opening act, Welt-Parliament, in which a group of politicians – played by a medieval-style plainsong choir – discuss the meaning of love. (Tonight’s script uses actual quotes from a recent Westminster debate.)

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‘We’re not beard-strokers!’ Wigflex, Nottingham’s ‘rudeboy techno’ night

Delivered... Martin Guttridge-Hewitt | Scene | Mon 13 May 2019 3:47 pm

With its hotchpotch of electro, breakbeat and garage, Wigflex has become a beacon in Nottingham where ‘there’s not loads of things to do, so people come and forget their troubles’

When soulful singer-songwriter Yazmin Lacey first met Lukas Cole, AKA Lukas Wigflex, she told him his party didn’t sound appealing. “He’s like, ‘Yeah come down!’ And I told him I wasn’t really into that kind of music,” she says. “There’s not a lot of people I know running nights that would stand there at a house party and take that on the chin.”

Accepting a free ticket anyway, Lacey put her theory to the test, and lost. Still not always sold on techno, she’s now a Wigflex regular, lured on to the dancefloor by the open attitude and lack of black-clad affectation Nottingham’s most respected nocturnal session is known for.

Related: 10 of the best city music festivals in the UK for 2019

Continue reading...

‘We’re not beard-strokers!’ Wigflex, Nottingham’s ‘rudeboy techno’ night

Delivered... Martin Guttridge-Hewitt | Scene | Mon 13 May 2019 3:47 pm

With its hotchpotch of electro, breakbeat and garage, Wigflex has become a beacon in Nottingham where ‘there’s not loads of things to do, so people come and forget their troubles’

When soulful singer-songwriter Yazmin Lacey first met Lukas Cole, AKA Lukas Wigflex, she told him his party didn’t sound appealing. “He’s like, ‘Yeah come down!’ And I told him I wasn’t really into that kind of music,” she says. “There’s not a lot of people I know running nights that would stand there at a house party and take that on the chin.”

Accepting a free ticket anyway, Lacey put her theory to the test, and lost. Still not always sold on techno, she’s now a Wigflex regular, lured on to the dancefloor by the open attitude and lack of black-clad affectation Nottingham’s most respected nocturnal session is known for.

Related: 10 of the best city music festivals in the UK for 2019

Continue reading...

How a new coming-of-age indie captures the spirit of illegal raves

Delivered... Steve Rose | Scene | Mon 13 May 2019 10:00 am

Beats is the latest film to focus on 90s rave culture and its political implications

Incredible as it seems now, in 1994, the British government attempted to outlaw dance music. Like a resentful preacher in a repressive small American town, John Major’s government imposed the Criminal Justice and Public Order Act (CJA), which sought to smite down upon the public menace known as “rave culture”. Triggered by the outbreak of peace, ecstasy and illegal partying that swept Britain in the late 1980s and early 90s, the CJA ushered in new curtailments of civil liberty, the most notorious being Section 63 (1) (b), which legally defined the troublesome music as that which “includes sounds wholly or predominantly characterised by the emission of a succession of repetitive beats.”

Continue reading...

How a new coming-of-age indie captures the spirit of illegal raves

Delivered... Steve Rose | Scene | Mon 13 May 2019 10:00 am

Beats is the latest film to focus on 90s rave culture and its political implications

Incredible as it seems now, in 1994, the British government attempted to outlaw dance music. Like a resentful preacher in a repressive small American town, John Major’s government imposed the Criminal Justice and Public Order Act (CJA), which sought to smite down upon the public menace known as “rave culture”. Triggered by the outbreak of peace, ecstasy and illegal partying that swept Britain in the late 1980s and early 90s, the CJA ushered in new curtailments of civil liberty, the most notorious being Section 63 (1) (b), which legally defined the troublesome music as that which “includes sounds wholly or predominantly characterised by the emission of a succession of repetitive beats.”

Continue reading...

Holly Herndon: Proto review – dizzying beauty and bracing beats

Delivered... Emily Mackay | Scene | Sun 12 May 2019 8:00 am
(4AD)

Related: Holly Herndon: the musician who birthed an AI baby

It’s credit to Holly Herndon’s skill as a musical guide that her third album, though up to its elbows in complex ideas, feels so invigorating. Her boldest attempt yet to reconfigure modern dilemmas musical, technological and philosophical, it looks back, finding inspiration in the church choirs of her youth, and leaps forward, with a self-designed “AI baby” called Spawn – no android overlord, but just another member of her ensemble.

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Laurence Pike: Holy Spring review – cosmic drum trips

Delivered... Neil Spencer | Scene | Sun 12 May 2019 8:00 am
(The Leaf Label)

A solo album by an improvisational drummer would in most circumstances elicit a wary groan, but Australia’s Laurence Pike is no ordinary percussionist. He’s played with a miscellany of jazzers (notably pianist Mike Nock), and embraced genres from psych to electronica to spiritual jazz. Nonetheless, his 2018 debut, Distant Early Warning, was a surprise, blending Pike’s rhythmic skills with sounds culled from a drumpad sampler to create an uber-ambient suite, part acoustic, part electronic.

Holy Spring doubles down on that approach with impressive results. It’s inspired by Stravinsky’s The Rite of Spring (Russian title Sacred Spring), and aims “to connect with something universal”. It certainly does. Pieces such as Dance of the Earth rumble and thud, overlaid by splashes of cymbals, with more rhythmic trickery than Reich or Glass could serve up. Drum Chant, with indigenous Australian clapsticks in the mix, evokes the pulse of that continent’s vast, red interior. Elsewhere, it’s deep space that is conjured up. On Daughter of Mars, aliens appear to be calling to the blue planet, while the title track could serve as the soundtrack for a close encounter. Full of morphing grooves and moods of imminent revelation, it’s a quicksilver delight.

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Four Tet review – let there be lights and a touch of magic

Delivered... Kitty Empire | Scene | Sat 11 May 2019 2:00 pm

Alexandra Palace, London
Kieran Hebden hits a new career high as he brings his eclectic club music to the masses with a dazzling stage show

Daylight is still streaming in through the stained glass of this secular cathedral at the top of north London when Kieran Hebden, known most often as Four Tet, starts triggering noises from his rig. The enduring light of late spring underscores how early it is by the standards of electronic music: not long after 8.30pm.

And yet roughly 10,000 excited people are crammed in and around a large rectangular section at the centre of the hall, where dangling ropes of lightbulbs create an immersive 3D space. This is Four Tet’s renowned light show, designed by Squidsoup, lighting artists who have been working with him since 2015: a “30m x 30m volume of lights, over 40,000 individually addressable points”, they specify.

Hebden has arrived at a particularly sweet spot. Tech has set Four Tet free. Tonight’s gig is very 'Insta-ready'

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Jamila Woods: Legacy! Legacy! review – joyful, loving testimony to black artists

Delivered... Aimee Cliff | Scene | Fri 10 May 2019 10:30 am

(Jagjaguwar)

On her 2016 debut Heavn, musician, teacher and activist Jamila Woods crafted an ode to her home town of Chicago, and a new kind of protest music. Her contemplative, modern style of soul is built both for marching, and for recuperation, when you need to recover from the fight.

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