Warning: mysql_get_server_info(): Access denied for user ''@'localhost' (using password: NO) in /home/customer/www/e-music.india-meets-classic.net/public_html/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872

Warning: mysql_get_server_info(): A link to the server could not be established in /home/customer/www/e-music.india-meets-classic.net/public_html/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872
Indian E-music – The right mix of Indian Vibes… » Sophia Kennedy: Monsters review – showtunes and sub-bass from sonic shapeshifter


Sophia Kennedy: Monsters review – showtunes and sub-bass from sonic shapeshifter

Delivered... Rachel Aroesti | Scene | Fri 7 May 2021 8:30 am

(City Slang)
Unable to categorise the Baltimore-born, Hamburg-bred artist, you are thrown into her disarming, disorientating but oddly relaxing emotional world

For the modern musician, genre-fickleness is no longer the exception but the rule. Switching styles and blending sounds doesn’t simply cater to listeners with depleted attention spans – it can also be a way of evoking and critiquing the chaotic internet culture that left them that way. Baltimore-born, Hamburg-bred artist Sophia Kennedy’s music does both those things, but it also channels a restlessness and nostalgia that has little in common with her peers.

For a start, her sonic references include Tin Pan Alley and vintage showtunes, she complements curious melodic callbacks with ominous electronica, expansive hip-hop, sub-bass, trap beats, twanging guitars and the sound of monkeys screeching. What’s also unusual is that she doesn’t temper this fluctuation with a consistent voice: frequently, it’s a low, stately, Bette Davis-style drawl; sometimes it’s a brittle falsetto; sometimes a taut, mean sprechgesang.

Continue reading...
TunePlus Wordpress Theme