Warning: mysql_get_server_info(): Access denied for user ''@'localhost' (using password: NO) in /home/customer/www/e-music.india-meets-classic.net/public_html/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872

Warning: mysql_get_server_info(): A link to the server could not be established in /home/customer/www/e-music.india-meets-classic.net/public_html/wp-content/plugins/gigs-calendar/gigs-calendar.php on line 872
Indian E-music – The right mix of Indian Vibes… » create-analog-music


From Estonia and the Baltic, new composition and rich electronic music in a free broadcast

Delivered... Peter Kirn | Scene | Thu 22 Apr 2021 5:08 pm

The Buchla and Serge synths and laptops are all warmed up. Latvia, Lithuania, and Estonia are showing a spring bounty of cutting edge composition and electronic music, and you can tune in for free.

The post From Estonia and the Baltic, new composition and rich electronic music in a free broadcast appeared first on CDM Create Digital Music.

Acid, further out: check Florian with MeeBlip, 303, and Zen Delay

Delivered... Peter Kirn | Scene | Wed 14 Apr 2021 7:27 pm

There's some magic and alchemy in coaxing evocative music out of stuff with knobs, and Florian Meindl's Riemann Kollektion keeps showing up how.

The post Acid, further out: check Florian with MeeBlip, 303, and Zen Delay appeared first on CDM Create Digital Music.

Endorphin.es go live-friendly with new sequencer, multiband processor

Delivered... Peter Kirn | Scene | Tue 30 Mar 2021 9:58 pm

The crew in Spain have come up with devilishly clever new tools this week - the Ground Control sequencer and Golden Master multiband processor, both ideal for playing live.

The post Endorphin.es go live-friendly with new sequencer, multiband processor appeared first on CDM Create Digital Music.

A 1970s Swedish modular you probably never heard of was meant for every music school

Delivered... Peter Kirn | Scene | Mon 1 Mar 2021 6:37 pm

Meet the Dataton 3000. The creation of Sweden's Björn Sandlund, it sports a unique, friendly modular designed for educational use - and at one point, was recommended to be used in every music school. That history was lost, but this teaching-friendly design might just have been ahead of its time.

The post A 1970s Swedish modular you probably never heard of was meant for every music school appeared first on CDM Create Digital Music.

Deep testing: new Dreadbox Typhon firmware, new powers for this monosynth

Delivered... Adam Jay | Scene | Wed 10 Feb 2021 5:49 pm

Analog synth + Sinevibes digital effects - the Dreadbox Typhon is one of the most compelling synths of the moment. So we turn to one of its bug testers to let us know how to get the most out of this week's big new update.

The post Deep testing: new Dreadbox Typhon firmware, new powers for this monosynth appeared first on CDM Create Digital Music.

Wowa Cwejman, synthesizer designer, has died at 72

Delivered... Peter Kirn | Scene | Mon 1 Feb 2021 6:04 pm

The small community of people who design electronic musical instruments has lost a unique imagination. Word arrived yesterday that Wlodzimierz "Wowa" Cwejman of Cwejman Music had died.

The post Wowa Cwejman, synthesizer designer, has died at 72 appeared first on CDM Create Digital Music.

Make Noise and Alessandro Cortini made a new synth – here’s the story behind it

Delivered... Peter Kirn | Scene | Fri 29 Jan 2021 3:46 pm

Strega is the new Make Noise invention - a tone maker, control instrument, and effects processor. It's also an artistic collaboration with Alessandro Cortini. CDM talks to Make Noise about what that's about.

The post Make Noise and Alessandro Cortini made a new synth – here’s the story behind it appeared first on CDM Create Digital Music.

All the KORG synth news: mini ARP modular, a reissued classic, more wavetables…

Delivered... Peter Kirn | Scene | Wed 20 Jan 2021 7:02 pm

Let's get KORGanized, because the Japanese maker dropped a whole lot of synth news at once. Wave-which now? Reissue? Here it is all in one place.

The post All the KORG synth news: mini ARP modular, a reissued classic, more wavetables… appeared first on CDM Create Digital Music.

Those new Sequential Prophets just got desktop versions

Delivered... Peter Kirn | Scene | Tue 12 Jan 2021 7:37 pm

If you want a premium synth and don't need the keyboard or want it to fit into a little less space, Sequential has made desktop renditions of both Prophet-5 and Prophet-10.

The post Those new Sequential Prophets just got desktop versions appeared first on CDM Create Digital Music.

Don’t miss an epic live set from Giant Swan, and more of their rich sound world

Delivered... Peter Kirn | Scene | Mon 21 Dec 2020 7:41 pm

Let's put all the gear news aside and consider - people are doing wonderful things with sound live. Consider the duo of Giant Swan, whose intense multi-layered performances seem to fuel the same transcendent energy of their releases.

The post Don’t miss an epic live set from Giant Swan, and more of their rich sound world appeared first on CDM Create Digital Music.

This vaporwave synth was made with a VHS tape deck – and it’s surprisingly deep

Delivered... Peter Kirn | Scene | Wed 29 Apr 2020 11:37 pm

In these trying times… well, we definitely need to hear rare 80s synths with some friendly, fuzzy VHS deck warble, right? Wish granted!

This saga starts with SampleScience’s Vaporwaves, which was a grab-bag rompler/multi-sampled instrument full of 80s sounds – FM mallets, glass pianos, Rhodes, onboard VHS effects. And yes, of course it also came with a triangle and a classical statue and some pink and purple vaporwave graphics.

But Vaporwaves 2 is really more than a sequel. This entire multi-sampled instrument focuses on one fairly obscure 80s FM synth. (I actually now know what it is, because I bugged Pierre until he told me. But I’m sworn to secrecy.)

https://www.samplescience.ca/2020/04/vaporwaves-2.html

$30, Mac + Windows.

There are 45 FM sounds recorded into there, with a full 1.04GB of sound. And whereas this could have just been a sample player with an amplitude envelope, call it a day, there’s more. So you get a preamp processor, multiple voice modes, multiple filter modes, and an LFO with both configurable target and source.

I’ve been playing around with it, and it’s really beautiful. So in addition to being able to get wonderfully retro sounds, I already can imagine it being bent into some other ambient and experimental contexts. Sometimes you just need a simple instrument for some added inspiration – and since we can’t get to flea markets for the moment, this downloadable instant gratification can fill in.

Listen:

This being CDM, of course we need to know more. And – oh God, I’ve used this VCR. (It’s rare now? I hope I didn’t miss my chance.)

Pierre explains:

The VCR I used is the Panasonic PV-S4670, it’s an S-VHS compatible VCR which is rare. The sounds have been recorded on very bad tapes though because I wasn’t getting the effect I wanted with good tapes. I remember that in the 90s broke musicians were using VHS as a way to get “high” quality recordings for cheap. With good tapes and recording in SP mode, the sound is actually quite good.

For Vaporwaves 2, I artificially degraded the tapes by putting them in the freezer. I took the idea from Brian Grainger, a dub techno/idm artist mostly known for his work as Milieu/Coppice Halifax. In his case, he would burry his tapes in his yard for a day to see what would happen. I really like the sound he got by using this technique.

We have some behind-the-scenes photos, taken on a suitably grungy 2000s-era digital camera.

Also, LaserDisc. Courtesy the developer. Someday, maybe you’ll get near such fine studio sound equipment.
Memories, like the corners of my … closet.

The freezer trick was never necessary before; we were able to just keep re-taping Fraggle Rock and Doctor Who over tapes again and again, so I’m glad to know this new technique.

Features list:

  • 45 FM synth sounds recorded on VHS
  • 1.04 GB of sounds
  • Multi-LFO
  • Lowpass/Highpass filter
  • Multi-voice mode and glide control
  • Amplitude range controls
  • Preamp
  • Available as a VST/VST3/AU plugin for Windows and macOS (High Sierra and Mojave, Catalina via the Maize Sampler Player)

Oh yeah, and for more inspiration – Brian Grainger has a YouTube channel. I don’t know how I missed that.

https://www.youtube.com/user/Slowlid

Vaporwaves 2 Plug-in

The post This vaporwave synth was made with a VHS tape deck – and it’s surprisingly deep appeared first on CDM Create Digital Music.

Oh, great, Behringer also have 22 Moog modules I guess?

Delivered... Peter Kirn | Scene | Fri 17 Jan 2020 6:27 pm

I’m worried about Behringer. They’re using this time machine a lot, without thinking about the dangers of the temporal paradox.

There’s reason to be concerned.

One, we’ve seen they already have entered some alternate reality where they’re in Banaheim, in the previous video.

Two, I really don’t want to have to write about Moog modules. But here we go. Yes, another video:

The 22 modules come from the System 55, the System 35, and the Model 15, from 1973. Moog Music has already recreated these as ultra-limited, handmade editions; no word yet on what’s actually inside the Behringer remakes.

https://www.moogmusic.com/products/moog-modular-systems

I’m not going to go through these, but it seems Behringer’s plan is to dump a bunch of remakes onto the market. We’ll see what impact that has on the market for other hardware, which has tended to have a significantly higher price point. It seems it will inevitably hit other vintage-inspired modules, but it could impact the market for other modules, too.

See you at Superbooth, I guess? I expect Behringer will be exhibiting again. They may need … a bigger…

There is one big gotcha to all this.

Even at $49 – $99, a full modular system made of these modules will still cost well into four-figure sums.

I love the Moog modular. I learned synthesis on one that lived in the basement of my college – alongside a Buchla. I’ll also admit, that learning process wasn’t easy.

There’s a reason the Minimoog is the Moog that everyone remembers. A lot of the capabilities of this monophonic modular setup are encapsulated in a synth version of the same – keep in mind that the Minimoog’s first prototype of sorts was a demo patch made on the Moog modular.

It’s easy to knock the modern Moog Music for their high prices, comparing against their ultra-boutique, made-for-rockstars modular remake. But try configuring a Eurorack modular piece by piece even from this Behringer range for the price of the $899 Subsequent 25 from Moog this week – and that’s at the high end of that market.

That’s not to knock the unique open-ended spirit of modular. But the test for Behringer is the test for the larger modular community – is there a point where modular synths are too complicated to purchase and use in order to sustain a growing market?

And there’s another question for all of us – musicians and makers alike. Is the 1970s or even 1980s sound of the synthesizer where we want the road to end? Or what should a 2020 synthesizer even sound like?

Should I actually stop asking rhetorical que– ah, okay. I’ll shut up now.

The post Oh, great, Behringer also have 22 Moog modules I guess? appeared first on CDM Create Digital Music.

Return of full-sized KORG MS-20, as retro trend continues

Delivered... Peter Kirn | Scene | Tue 14 Jan 2020 3:56 pm

It’s badly upstaged by the ARP 2600, but for those who want it, KORG are again making full-sized MS-20 synths. That caps a long string of MS-20s from KORG.

The KORG MS-20 was one of the products that helped launch the current wave of big-name remakes. And KORG has done versions of the MS-20 every way imaginable. Let’s review just a few:

Nintendo DS game – KORG DS-10 (loosely based on the original)

iPad app – iMS-20 (plus KORG Gadget, too, if you want to be completionist)

MS-20 Legacy Collection plug-in, which briefly had available an external controller for the computer that supported patching:

A mini version – the MS-20 mini (hey, Japan does seem to appreciate things being small and – I’m totally with them on this, so like Japan and me)

The best of all of these, perhaps, is the full-sized MS-20 kit. I made one; and it’s brilliant – because of its reliability and flexibility, maybe even a little better than having the original around.

But the MS-20 kit was a limited edition. And so now we have the MS-20FS (for Full-Sized). It appears to be identical to the kit in every way – USB and MIDI, switchable filter, and even the original 1978 manual included in the box. But apart from the switchable filter and new I/O, it’s indistinguishable from the original – enough so that once it’s got some dust on it, these are regularly mistaken for the original.

The only news in the reissue is colors – four powder-coat options, in an attractive green, white, blue, and black.

No word yet on pricing, but this is coming this year.

White looks fresh. Note to self – idea for new stage persona, Colonel Sanders suit — new note to self, delete previous note.
Built like a tank, looks like a …
In blue, it’s obvious, but in black, these ports on the back are the only way to easily tell the FS isn’t an original MS-20.

That’s all fine and well, but am I alone in wishing for a new semi-modular, patchable thing from KORG? The MS-20 is great, but the more we live with it, the more I wonder what a new instrument catering to modern tastes might be.

Then again, I celebrated my birthday yesterday and I was also introduced in 1978 so — never mind. Things from 1978 are for more relevant than anything younger and cooler and all of you should really just throw money at us. Good, there, done. Oh wait – I should work on some color options for myself.

For more MS action – here’s a minisite dedicated to the MS-10 synth:

And sorry, 1978, but this NAMM is all about 1970, because of this:

The post Return of full-sized KORG MS-20, as retro trend continues appeared first on CDM Create Digital Music.

Behringer appears to have a TR-606 clone coming to NAMM

Delivered... Peter Kirn | Scene | Mon 13 Jan 2020 5:47 pm

Behringer continues to look to vintage Roland gear to make new products. The teaser for the next product looks like a TR-606.

The 606 was a great cheap little box in its day, and has a cute form factor. But it was never the hit its 303 sibling was, and there are other compact drum machines now. That is, you’ve got not only the Roland Boutique Series, but also actual boutique items like MFB. And many drum machine lovers prefer larger form factors.

Cloning the 606 is old news:

If you didn’t like the sound of that, well – you probably just don’t like the sound of a 606, because that’s what it sounds like!

I always had a special affection for the 606, as did plenty of genuinely famous and relevant artists over the years (not just weirdos like myself). But the actual sound is pretty easy to replicate with samples, so this one is a puzzler.

And that may answer the question of why Roland didn’t do a TR-…. uh TR-06? … with the other Boutiques. The TR-08 and TR-09 are already essentially 606-sized, but with the 909 and 808 sounds and controls that more people are after. And you can more or less get some 606 sounds loading samples into a TR-8S or any other drum machine with sample import. (Heck, a volca sample will do the trick.)

I’m sure there are 606 fans who will be looking for this. You are presumably the ones Behringer “hears.” We’ll have to wait and see how Behringer executed their take on a bare-bones early 80s design.

The bigger question for Behringer at NAMM may be to find out where their TR-909 “tribute” is, as I think that’s the item more people will covet.

(Original) TR-606 image at top (CC-BY-SA) Midas Wouters.

The post Behringer appears to have a TR-606 clone coming to NAMM appeared first on CDM Create Digital Music.

FL Studio 20.6 does what FL does best – adds more great toys to play with

Delivered... Peter Kirn | Scene | Thu 12 Dec 2019 9:37 am

It’s still tough to beat FL Studio when it comes to, well, playing with stuff – in a tool in which that play can get very advanced indeed.

There are some great new toys here:

Distructor is a new pedal-style distortion and multi-effects plug-in. What’s especially nice is you get four slots, each of which can be assigned to one of four modules. There are different distortion models and then filters, chorus, and speaker cabinets. Those different distortion models (Blood overdrive, Soft Clippor, Harmor, Distructor, and Crusher) each have their own various algorithm choices, so this thing is deep. And the filters give you every shape you would want.

This reuses some existing FL stuff, but in a very nice way, and you can mess around with all the different bits and re-route them. In fact, it occurs to me that this is really what the scattered distortion and cabinet devices in Ableton Live probably should have been. Advantage, FL on this one.

If you want to go even crazier, the amp/cab bit is based on Fruity Convolver. So you could instead of limiting yourself to Distructor alone, chase the Distructor plug-in with Fruity Convolver and then load any impulse you want for some serious mayhem.

The Euclidean Rhythm Generator lets you fill in patterns with this now weirdly ubiquitous mathematical means of generating symmetrical rhythms, which work well as polyrhythms and in techno. Right-click a channel, and choose Advanced Fill.

Control Voltage is a new Fruity Voltage Controller for integrating with analog gear. It works with any DC-coupled interface – which now includes those affordable MOTU boxes I looked at recently for a low-cost solution. (Or just use a Eurorack rig with an audio interface inside it.)

“Burn” MIDI. Got an interesting pattern coming out of the Arpeggiator, note effects, or other plug-ins? Now you can right-click the channel and record to MIDI. Yeah, this already works in DAWs like Logic Pro, but it really fits the FL workflow perfectly.

NewTime time warping. Warp, quantize, and groove shuffle audio. This is a far cry from the early days of FL Studio where everyone seemed to be making terrible trance tracks with only the default step sequencer options in the main view. FL now gives well-known, much more expensive DAWs a proper run for the money.

Oh speaking of mangling audio – the Fruity Granulizer now has a display and visualizations so you can see what you’re doing, so together with NewTime, you can mess with sound really easily.

Plus there are tons of other improvements – convert playlist tracks to audio, “don’t show this in the future” checkbox for popups, and a ton of little details. (FLEX has a modulation speed for reverb time, for instance.)

Both Image-Line and SoundCloud sent me press releases emphasizing that you can upload directly to SoundCloud from FL. I have a feeling if you have the patience to read my writing, you already know how to upload to SoundCloud, but … now you know.

More importantly, Image-Line continue their lifetime free updates tradition – think of it as the reverse of horrible subscriptions in certain pro graphics apps. The subscription model: pay continuously, see updates that you mostly don’t want. The FL Studio model: pay once, see updates you want, continuously. (You need a supported account, but it can be worth it.)

The latest – and there’s a lot of it:

FL Studio 20.6 released [Image-Line news]

The post FL Studio 20.6 does what FL does best – adds more great toys to play with appeared first on CDM Create Digital Music.

Next Page »
TunePlus Wordpress Theme